The Island Where Demons Dance~Oni-daiko (Ondeko)

https://sado-biyori.com/feature/classical/10323/

Date: Spring through fall (peaks in April and October)
Location: Sado 佐渡 Island City, Niigata Prefecture
Access: From various locations to Niigata 新潟 Station or Niigata Airport. From there, take a bus to Niigata Port, from where there are steamers to Sado Island. From Tokyo, it takes about 2.5 to 3 hours by Shinkansen to Niigata Port. There is also a way to get there from Naoetsu 直江津 via Naoetsu Port. From Niigata Port, you can go to Ryotsu 両津 Port, and from Naoetsu, you can go to Ogi 小木 Port, which are different arrival points.

There is an island where groups of drummers go from house to house. And they are demons, no less.
That name is Sado Island. Across from Tokyo lies Niigata Prefecture. From there, it’s another 30-minute to one-hour boat ride. It is the second-largest island in Japan, after Okinawa. There is a day on that island when demons visit every home. And the people look forward to it with anticipation. They say the demons are messengers of the gods. They are called oni, and the act of them beating drums is known as “Oni taiko (ogre drums).”People say this island is a treasure trove of performing arts. Among them, the most representative is this “Oni Taiko.” The locals also call it “ondeko. From spring to fall, the sound of taiko drums echoes throughout the island, and Oni dance in the air. There are more than 120 of them. It is true that the island is as large as the 23 wards of Tokyo, or about half the size of Osaka, but there are still many of them. Let’s take a look at what kind of Oni-daiko the islanders love so much.

Festival outline or “Kado-zuke 門付け”

Oni-daiko is an extremely simple art form consisting of a single drum, a drummer, and a dancer, the Oni. Oni Taiko festivals do not have a mikoshi (portable shrine) or pull a dashi around as in regular festivals. Instead, they do something called kadozuke 門付け. Kado means gate, and tsuke means to drop in, which means to visit each door. This is an old custom in which performers go from house to house to bless their families and in return receive a reward. In the past, many performers earned their money that way, but nowadays, the main purpose is to walk around blessing each house as God’s representative, rather than for remuneration. There is Ise Kagura centered in Mie Prefecture and a group of kagura performers who still travel over a wide area in Iwate Prefecture in the Tohoku region. Therefore, even if you go to the shrine on the day of the festival, there is nothing there. After the first and last dedication at the shrine, the group goes out to the community.

A day at Oni Taiko starts early in the morning. First, the group heads to a shrine. There they dedicate first formal dance. After that, they go to the village and perform the dance from door to door. Sometimes there are more than 100 houses in a village. When a group of taiko drummers arrives, people entertain them by preparing hospitality. If requested, a designated dancer other than oni may also dance. In addition, the masks may be displayed there for a time in the house where the original masks were made, or a special dance may be performed. After visiting all the houses, they return to the shrine to perform the dedication dance. It is not unusual for the dance to end around 10:00 p.m. This is why young people are always needed for the physical strength of the dancers.

Types of Oni-daiko

Kuninaka type
https://sado-geinou.com/history/shishimai Right also

Maehama type

There are several classifications of oni taiko according to the way it is performed. There are three major categories, and five more detailed categories are often used. In order to avoid complications, we will inquire about three types. Types include the Maehama type, Aikawa type, and Kuninaka type, named after the region.
The most commonly seen is the Kuninaka type , in which two Oni, A (open-mouthed, not “ei”) and Um (closed-mouthed), dance alternately. This type is about 60% of the total. It is a form that was adopted by masters who learned Noh in the past. Therefore, the basic movement is to use a slip. The dance is also characterized by the intensity of the “A” and the quietness of the “Um”. Sometimes Shishi ( lions) is involved, which makes the dance more dynamic.
Maehama type is two oni facing each other and dancing. Sometimes a dancer wearing a mask with only the upper half of his face, called Rouso, joins them. The roso is the highest-ranking dancer in the group.
And the Aikawa type is often seen in the northwestern part of the island. Here, oni appear but do not dance. They just stand there with a spear. Instead, a dancer wearing an old man’s mask dances with a square to hold beans.

Representative Oni-daiko

Niibo-funashimo(新穂舟下)

There are four shrines with the same name, Hiyoshi Shrine, in the Shinbo area, and oni taiko drums are dedicated to one of these shrines at a festival on April 13.
Kuninaka style with two oni dancing with their mouths open “a” and mouth closed “un”. When the drums are set up, they begin to beat the drums from the back side. One by one, oni dance to the rhythm of the taiko drum, with their steps based on the rhythm of the drum. The oni tries to beat the drum, but two lions appear as if to prevent them from doing so. The oni calm them down, brush them off, and move toward the taiko drum.

Ryotu-Iwakubi(両津岩首)

It is dedicated to the autumn festival of Kumano Shrine in the district located facing the mainland. The Maehama style features two oni, one red and one blue, dancing relative to each other at the same time. A lion also makes an appearance, but it is a large lion that can hold seven adults. In addition, there is an instructor named Roso, who wears a mask with only the upper half of his face. Roso sometimes dances, and sometimes looks down on the whole group to keep it together.

It goes around all the houses and comes back to the shrine again at the end, and the lion’s climb up the stairs that takes place at that time is worth seeing. Not only do they climb up, but the front tries to go up while the back tries to go back down. The lion’s hesitation is what makes the performance so powerful.

Roso

Aikawa Maturi(相川祭り)

The Aikawa style of Onidaiko, which began in the Aikawa district, is named Onidaiko, but despite the name, the Oni (demons) do nothing. Or, not even Oni. The main actor is an old man (a virtuous old man), holding a bean-throwing square in his hand, which can often be seen in Setsubun 節分 (a ceremony held in February to drive away evil spirits). For example, in the Aikawa district, the birthplace of the festival, two people holding long swords simply stand there. Only the ogo (master) dances to the rhythm of the taiko drums.

Kita-Kawachi Matsuri (北川内祭り)

In addition, there are composite style festivals. For example, in the Kitakawachi district, three lion dancers appear before a bean-throwing Okina. The three lion dances are no different in content from the lion dances that can usually be seen mainly in the Kanto area.

Add to that the mysterious mask of “Tsuburo”. Tsuburo appears between the lions. After that, the old man makes his appearance.

There are many other types of oni taiko with distinctive characteristics, such as the one-legged dancing style. It is no exaggeration to say that there are as many different oni taiko as there are districts and festivals. Sado is also a region that has handed down a variety of performing arts, not only oni taiko. Every year at the end of May, a festival is held to bring together all of Sado’s performing arts. Sado is an island where old Japan can be seen everywhere, and it is well worth a visit.

Sado Ondeko dotto komu : An event that brings together all the performing arts of Sado Island https://niigata-kankou.or.jp/event/2145
Sado long ride : A cycle event with several thousand participants on a 210 km up-and-down course that circles the island at its longest point.
https://sado-biyori.com/feature/sadolog/11502/




A Unique Kanazawa Experience: Ono Minato Shrine Festival



Date: Friday, Saturday and Sunday, ending on the first Sunday of August
Location: Ono minato shrine 大野湊神社 163 Ha ハ, Teranaka-cho 寺中町, Kanazawa 金沢, Ishikawa, Japan
Access: 5-minute walk from Nishi Keisatsu Sho-mae bus stop on Hokuriku Railway buses bound for 60 Kanaiwa 金石, 61 Ono 大野 and 63 Ono.

About 30 minutes from Kanazawa Station. About one bus every 30 minutes.

based on 2024.8.4.

Overview

Kanazawa is a popular tourist destination in Japan. However, while many people visit the southern part of the city, almost no one visits the northern side (the seaside). That area is a place where people simply go about their daily lives. It is precisely because of this that a festivity has long been held there as a place of prayer for the community. This is the festival I would like to introduce today.

And the stars of this festival are, without a doubt, the three types of masks. You can see just how beloved these mask-wearers—who are said to ward off evil spirits—are simply by walking through the streets.

Throughout the festival, various events take place, including processions of portable shrines, boats setting out to pray for a bountiful catch, and fireworks displays. In addition, groups of exorcists perform exorcisms at various locations throughout the town. However, since only locals—and especially those directly involved—know which locations they’ll visit that year, the best choice is still to check out the event plaza on the final day.

Main Events begin

People gather at the main venue for the festival’s final day around 4:00 p.m. The main venue is located near the Kanaiwa Bus Terminal, where the central road is completely closed off to create two stages, one at the front and one at the back. Each group performs on the first stage and then moves to the second stage to do the same.

One of the highlights is the performance by the Kaga Tobi. “Tobi” is the name of a bird resembling an eagle, but it also refers to people who work at heights. However, in the past, the term referred to firefighters. During the Edo period (the age of the samurai), when fires were common, these firefighters were the target of popular admiration. In particular, here in Ishikawa Prefecture—specifically the region known as Kaga, which boasted the greatest national power outside of the shogun’s domain—the Kaga firefighters were as popular as actors even in Edo. Performing feats such as climbing onto roofs or scaling tall ladders to assess the situation of a fire was not a spectacle, but an essential part of their job. Even today, fire departments often demonstrate these skills at New Year’s ceremonies and other events across the country.

Around 5 o’clock, the crowd begins to move in a circle around the venue. The main event is about to begin. It’s the height of summer, so even at 5 p.m., it’s still bright out.

Two men dressed strangely like ancient yamabushi ( Buddhist monk) lead a group to ward off evil spirits. They wear high clogs, umbrellas and carry metallic canes. They lead the way first, reading out the names of the gods and chanting the sutra. Mysterious spectacles catch the eye.
A group of flutes and drums around the area help to enliven the occasion.

And there are three main actors. Black Hannya 般若, Red Tengu 天狗and Brown Okina 翁 (old man). They hold a broadax, a bow and a sword to ward off evil, each facing four directions, slashing evil with a sword or other weapon and stamping on the earth. The footwork also follows the secret methods of the mountain priests of the past. The footwork follows the secret method of Yamabushi in the past. Ninja also followed this method of walking without making noise.

High school students play all three of the main actors. No one knows why, but it has been a rule for some time. After the three years are up, the rest of the time they play supporting roles. In other words, the last performance is the final culmination for the third-year students.

They spend three days going from door to door in the town to ward off evil. On the way, many spectators crowd the crossroads, community centers and other large places. They split into several small groups, which can be powerful as they may all go together in large places. And finally, the original Ono Minato Shrine precinct. Around 7.30 pm.

Ono Minato Shrine is situated 15 minutes’ bus from Kanazawa city center towards the sea. It was founded around the 8th century. Fire destroyed it in the 13th century, after which a new shrine building was built nearby (current location). So, the people tried hard to get deities to return to them, but it was difficult to achieve this. The origin of this festival is that people began to pray for the deity to return to their original place at least once a year. The festival therefore begins with the construction of a temporary shrine building at the original location. Deities returns to their home shrine and then returns to the original shrine three days later. And during this time, various events take place in the town. The most popular of these is the ‘exorcism’ introduced here.

In Ono hiyoshi shrine, too

This is the festival of the Ono Minato Shrine, but in fact there is also another festival in the neighbor town of Hiyoshi 日吉 shrine, where a group of evil-dispelling people also take part. The summer in Kanazawa is hot from the end of July to August. This is the time of year when you can see the two faces of Kanazawa, the normal townscape and the festive town.

Ono minato shrine and Ono hiyoshi shrine

Date: Fourth Saturday to Sunday in July
Location: Ono hiyoshi shrine 大野日吉神社 5-81, Ono-cho, Kanazawa, Ishikawa, Japan
Access: Bus From Hokutetsu Bus Korinbo (5 mins walk from Ono bus stop)… approx. 30 mins
From JR Kanazawa Station (only a few buses) (5-minute walk from Ono bus stop)… approx. 20 mins.
On foot  From Hokutetsu 北鉄 Bus Kanaiwa 金石 rotary … approx. 20 mins.
From Kanazawa Port … approx. 15 mins.

cf. Ono minato shrine https://oonominato.or.jp/about/tradition/natumaturi/ sorry only Japanese
Ono hiyoshi shrine http://www.ohnohiyoshi.com/fes/summer
Kanazawa city https://visitkanazawa.jp/en/

Kanazawa is not only the heart of Ishikawa Prefecture but also the center of the Hokuriku region. It is not merely a modern city; it is a place rich in diverse charms, featuring a castle, one of Japan’s most iconic gardens, historic streets, and cutting-edge art museums. Kanazawa seems to encapsulate all the best of Japan in one place—it’s definitely a place you’ll want to visit at least once.




a rare Buddhist dance~Itozaki of Etizen coast (Report)

Date:18th April Every two years (odd-numbered years)
Location :Itosaki dera-temple 糸崎, 22-5 Itosaki Town, Fukui City, Fukui Prefecture
Access :From Fukui Station, take Keifuku Bus (Echizen Kaigan Blue Line No. 10) for 1 hour, alight at Itozaki and walk 20 minutes.
    To reach Fukui, take the Shinkansen if you are travelling from Tokyo. From Nagoya, take the Shinkansen to Maibara and then
the lmited express via Tsuruga. From Kyoto or Osaka take the limited express via Tsuruga.

based on 2025.4.15.



Buddha dances

What does it mean that Buddha dances? Roughly speaking, it means that Buddha statues move in costumes. An immovable statue of Buddha moves. In other words, the doll moves. You can see such a mysterious scene at a small temple on the coast of Fukui Prefecture.

Just standing there, they are not much different from ordinary Buddhist statues. But they move. Let’s visit the site first.

Head to Itosaki

The Itozakidera Temple is located near the coast. So let’s start from Fukui Station.
The only way to get from Fukui Station to Itozaki is by bus. It takes about 50 minutes to the nearest bus stop. From there it is a 20-minute walk. One bus every hour. It is by no means a convenient place for transportation.
The author used my folding bicycle. The destination is about 25 km away. Almost flat road except at the end. Travelers can also rent electric bicycles in front of the station. If you miss the bus, it might be a good idea to take this into account.

Because dinosaur fossils were discovered in Fukui, there are dinosaurs not only in the station but also in various places.

Itosakidera-temple

A small temple quietly overlooks the sea. The road leading to the temple is crowded with cars only this day.

The audience surrounds the stage. Local primary and junior high school students also gather in one corner. And snack stands are open. Most of the spectators seem to be locals. You don’t see photographers lined up in a row. Scheduled to start at 1.30 pm. The scene 30 minutes before that.

Before the Dance of the Buddha

At 1.30, an announcement signals the start of the event. It’s finally time to begin. Yet the Buddha does not emerge immediately. Women wearing sedge hat come out. And sit and sing a song in praise of the Buddha.

Emergence of the main actors

15 minutes later, when the audience is ready, the main character appears. A group of musicians leads the way, followed by children, the Buddha.

Then the Buddhas in monk’s robes enter. Main accompaniments are drums and gongs played on the central platform.

Face is golden and expressionless. Buddha usually has this expression. Whereas Oni (ogre) are full of individuality and have a variety of expressions, the Buddha’s expressions are almost uniform. While demons are varied in western society, angels are always the same as together.

Buddha dance

An announcement is made and the Buddha’s dance begins. But imagining something like modern dance will only disappoint you. According to legend, in the eighth century, when people enshrined a statue of Buddha in this temple, the Buddha danced happily. However, the earliest recorded date is the 19 century. It is the Buddha’s dance that people imagined more than 100 years ago. It is also divided into several dances, but it is difficult to tell the difference. A monotonous dance accompanied by a drum and a gong. In fact, the audience, who had been eagerly watching in the front row from the middle of the performance, gradually moved away to their desired position.

But it’s funny, and it starts to be fun. The monotonous rhythm creates a kind of hallucination state.
Then I started thinking about this. The event has been going on for at least 100 years. People in the past saw the same thing. It’s like a time machine. What were people thinking when they watched this? Did they think it was monotonous? Or was it grateful? Eventually, I began to hallucinate as if people from the past are standing there looking the same.

At the last dance, the Buddhas stopped dancing one by one. And when the lasted one stops moving, all the dancing came to an end. About an hour. At the end of the glittering but quiet event, the Buddhas walked up to the main hall.

Fukui Prefecture may not be a familiar place. However, there are a number of places to see, including the famous Zen temple Eiheiji 永平寺. I hope that one day you will also experience the mysterious Buddhist dance.

Etizen 越前 coast

Restored medieval townscape, Ichijodani 一乗谷

https://enjoy.pref.fukui.lg.jp/en




The king descends : Nou Hakusan Shrine’s Unique festival





Date:24 April every year.

Location:7238 Oaza Nou, Itoigawa-city, Niigata prefecture

Access: Shinkansen from Tokyo. If Hakutaka, change at Itoigawa and take the Hisui Line to Nou. About 2.5 hours. If you take Toki, change at Echigo-Yuzawa and take the Hokuhoku Line to Naoetsu, then the Hisui Line to Nou 能生. From there it is a 20-minute walk. From the Osaka area, take the limited express train to Tsuruga, then head toward Niigata. If flying, take a flight from any airport to Niigata Airport, then travel on to Nou.

based on 2025. 4. 24.

Spring in the snow country

The setting for this story, Nou Hakusan Shrine, is on the sea coast of Niigata Prefecture on the Sea of Japan side of the country. The Sea of Japan side has a lot of snow due to low pressure from the continent. The area north of Niigata is a particularly heavy snowfall area. A festival that they can’t wait for. This is the annual spring festival of Nou Hakusan Shrine. Hakusan Shrine is an old shrine with important cultural assets. Its construction dates back to the 3rd century. An annual spring festival is held at such a shrine. And who is the king?

Bugaku 舞楽

The main part of the festival is the dedication of a dance and music performance, which takes place in the afternoon. This is Bugaku. What is Bugaku? It is the music and dance that were introduced from the continent at least around the eighth generation. Official Bugaku still exists today, and the Imperial Family has its own band. Also, many of them spread to various places, and Shitenno-ji Temple in Osaka and Itsukushima-jinja Shrine in Hiroshima Prefecture are famous.
There were also changes when it spread to the countryside. Here at Nou Hakusan Shrine, they also made a distinctive one. The most important features are the composition and costumes. The costumes in particular are unique to this place.
It consists of two parts: a juvenile dance(called chigomai) and masked dance.

at Ruriji-temple in Nagano prefecture

Chigomai 稚児舞

There is an old saying in Japan that children are within God’s domain until they are seven years old. Perhaps because of this, many Shinto rituals emphasize the presence of children. Chigomai and Masked dance appear alternately at this shrine.
Dressed-up, godly-looking young children. The solemn dance goes on with a graceful tune that has been performed since ancient times.
The solemn dance goes on with a graceful tune that has been performed since ancient times.
Each performance lasts approximately 2-30 minutes.

Masked dance

After performing some chigo mai for about an hour, the first mask appears. The program titled “Dorari” does not exist in the central bugaku.
In fact, this is also performed by a child, so it may be a type of child dance, but here it is a masked dance.
The biggest feature is that they leave the stage with “sticking out his tongue” at the end. It is of course a uniqueness that you cannot see anywhere else, not even in central Gagaku.

The central legitimate bugaku also has a performance called ‘batou’. However, the dance style is quite different and the masks are similar but slightly different.

It was originally a dance showing two dragons playing together.
The dance is much faster than the original, and there are many jumping movements. We can see that the dance is more appealing to the audience.
And the costumes, too, are not extravagant but brilliantly designed. The red and black of the ‘nobatou’ and the red and pale green stripes on the white base of the ‘nasori’ are undeniably eye-catching.

As the day is about to begin to set in, King’s performance finally begins. As a herald, the oldest of the chigo goes on stage. People are starting to feel something different. An expectant but very quiet time.

After the children’s dance, it is time for the final star of the show, the Ryo King. So, yes, this is the most famous of all bugaku dances, the “Lanryou ou(king) 蘭陵王” dance. The dance has the following anecdotes. Once upon a time, there was a brave warlord in a country called Northern Qi in China. But people rumored that he was too well-formed and feminine. Thinking this would not improve the morale of the army, he put on a frightening mask and fought and won a great victory. This legendary figure was a real person in the mid-6th century.

As the legend goes, the mask is menacing images of people with dragon on their head and wide-open eyes.
When Ryoo appears, he slowly crosses the bridge, following the music of gagaku. About 10 minutes or more.

It was a solemn dance, but the enthusiasm of the audience grew as never before, and the occasional unbecoming shout goes up. The music is monotonous and sometimes sleepy. However, when it is repeated over and over again, it induces a kind of hallucinatory state in people.

Even after entering the stage, his movements were slow. Especially in the first half, they hardly move. Originally, this program has movement. Moreover, it is performed as a fast-moving piece. But here it is. The slower the movement, the better.

Soon, the king stood up and made an inviting motion with both hands. This is commonly known as the “sun beckoning dance”.
The sun is setting around the very same time. The time when the surroundings gradually darken and the king’s figure begins to blend into the darkness. At this time, the king is bathed in the setting sun and his golden face shines.
Unfortunately, it was cloudy when the author saw it, so it was not that bright, but the majesty of the scene was awe-inspiring.

By this time, the audience are all on their feet, gathered around the stage and watching attentively. The cheers become even louder. It’s not the kind of performance that makes a lot of noise. The most common cry is to “be patient”. Yes, the point is to make it last as long as possible. But, the performer has already been moving slowly for an hour. He has already exhausted. Still, he uses his last strength to slowly walk back up the bridge again. Night is already falling around. In the end, they leave the stage being held by the helpers.

It was already past 7:00 at night. As soon as the king leaves, the bridge is removed and several mikoshi (portable shrines) run through at once. Then the festival ends abruptly. Leaving the audience excited. The stage is then demolished and returns to its normal tatters.

Let’s go to Nou

On taking the Shinkansen from Tokyo, the Toki and Hakutakas were continuous. Toki is a little cheaper. But that was a mistake. The transfer was not smooth and I ended up waiting for an hour in Naoetsu 直江津. Lesson 1. If you go to an unfamiliar place, you should have as much time as possible. And choose the route with fewer transfers.
The temperature in Niigata Prefecture on that day was 15 degrees. Even though it is over 20 degrees in all areas west of Tokyo, it is still cold. So, on the way, I could see the cherry blossoms in full bloom behind the snowy landscape from the train window.

Also, this route has a lot of tunnels. Stations are located between tunnels, some of them in tunnels.

It was early afternoon when I finally arrived at Nou Station. Leaving the very small station behind, a 20 minute walk through the quiet seaside town brings us to Hakusan Shrine, the setting of the day.

Nou hakusan shrine 能生白山神社

People are gathered around the stage in the center. The right side of the entrance is stepped. In the front row, a couple dressed up in kimono. The shrine is said to have been built in the 3rd century; the main building, which was rebuilt in the early 16th century, is an important national cultural asset.
Why are these people sitting in the front row in formal dress? I found that out at the end of the festival. They were the parents of the children of “Chigomai”. They were probably proud and anxious at the same time to see their own children on the big day. After all the children’s dances were over, I could see them weeping involuntarily.
It was a moment when I could once again realized that this is what the festival is all about.




Report~Oni dance in a mountain village~ Hana-matsuri



Hana Matsuri is a festival of rebirth. During the season when the days are at their shortest, people prayed for the rebirth of the sun. It is an ancient festival.
You can experience such a festival in Aichi Prefecture. The centre of Aichi Prefecture is Nagoya City, which can be described as a major city second only to Tokyo and Osaka. Toyota’s headquarters are also in Toyota City. That’s the sort of place it is. But it’s actually quite a struggle to get to the venue for this Hana matsuri (festival). The Hana Festival is currently held at 15 locations across Aichi Prefecture, but all of them are deep in the mountains, in places that can only be reached by driving endlessly up long, narrow, winding roads. As a result, travel agencies now organise tours to the area.
Consequently, travel agencies now organise tours to the event. The Hnamatsuri festival runs from November to March. It is said to have once lasted a whole week, but it has since been shortened. Even so, it can still go on for a day and a night.

Toyotetsu Sightseeing has also begun to offer tours. Even with a car, it is dangerous to go to a mountainous sight-seeing area at night. We recommend that those who wish to visit join a such a tour.

“Hanamatsuri” is a festival centered on Oni (ogres). So maybe there used to be a tour like this.

This article is based on the 2018 tour at Sakauba.

Date; The weekend in late November
Location; 29-4 Miyanoshima, Sakauba, Toyone Village, Kitashitara District, Aichi prefecture
Access; Approximately 1 hour and 5 minutes by car from the Shinshiro Interchange on the Shin-Tomei Expressway

Hello and welcome to the tour

Toyohashi station

Hello everyone, are you all here? Thank you for joining us on this “Hana Matsuri” tour. This time, you will visit a festival in the Sakauba 坂宇場 area. This tour is perfect for those Oni who are tired of being pelted with beans and exterminated on a daily basis.

front of Toyohashi station

Although the place we are about to visit is administratively part of Shinshiro 新城 City, more than 40,000 of Shinshiro City’s population of approximately 50,000 live at the foot of the mountain.
It takes about 4 hours with a stop at a roadside station along the way.

Well, we’ve arrived. It’s already 8:00 PM. You will see the festival here until next morning. It’s a long night, so if you are tired, you can take a rest in the resting room here. It is a roadside station during the daytime, but we rent it only during the nighttime, so please make yourselves at home. Now, let me take you to the festival site.

Here comes the festival at last

Tehohe Tehohe, Tewotole Tole

Oh, I’ve heard this sound before. It’s a shout unique to the Hana-Matsuri.

Let’s go inside.
First, in the center is a large cauldron, the symbol of the festival, where the water boils all night long. This place is called “maido. It means a stage for dancing.

In front of the “maido” is a drummer. This drum sets the rhythm for the whole thing. Also, there are various decorations hanging from the ceiling. These are the gods’ Spirit-dwelling object. On the wall are the names and amounts of those who donated. Please be assured. The donation is included in the price of this tour.

There are several types of dances, which gradually increase in age and proficiency from children, boys and girls, to young men and women. You can see the complexity of the dances gradually increase.

Adults accompany each child. I wonder if this is how they learn all the time.

Isn’t everyone cold? There is a brazier in the front seats of the stage, though. It gets below 0 degrees Celsius at midnight, so please be careful not to catch a cold. Or, please warm up in the break room mentioned earlier.

Hi, I bought a warm Chinese bun outside.

Sounds good. I’ll go buy it later.

Light food are sold at cheap prices outside.

We see a man holding a sakaki tree. Since ancient times, sakaki has been famous as a tree in which God dwells. It is said that if you are struck with it, you will be free from disease. By all means, everyone.

I always get hit with beans on Setsubun. Besides, we Oni are also members of the gods.

It’s already around 11:00 p.m. It’s almost time for the first Oni to make his appearance.

Yamami-Oni 山見鬼

Here it comes at last: the first of the three Oni, the Yamami-oni 山見鬼. This is the companion Oni to the Yamami-oni.

Tehohe, Tehohe,. Tewotole tole

Listening to this melody for a long time puts me into a kind of trance.

This is Yamami-oni.

He looks magnificent, doesn’t he?

He’s the star of the show.

Yamami-oni is an Oni that breaks mountains. They drive away evil spirits with their powerful spells and encourage the rebirth of life by breaking up mountains. He does not actually break anything, but rather swings the hoe he is holding over the hot water pot in a large gesture to dispel the evil spirits.

I have also heard. It seems to have that kind of meaning in winter festivals that wish for rebirth.

Experts say it’s because that’s when the sun’s power is at its weakest.

In the past, this Yamami Oni was the most important Oni.

As expected, I started to feel a little sleepy. I’ll sleep a little until the next Oni comes out.

I’ll get some coffee from the vending machine too.

Sakaki-Oni 榊鬼

It was around 3:30 in the morning when the Sakaki Oni, the main character of the Hana Matsuri, made his appearance.

First, the dance of the accompanying Oni enlivens the occasion.

Now, it’s time for the real deal, Sakaki Oni to make his appearance. Oh, there are a few people missing.

It’s past 3 a.m., so some of members are sleeping in the break room.

Sakaki Oni is a “Araburu kami” (raging god) who lives in this land. So people ask and answer questions to this Sakaki-Oni. “Why did someone like you come here?”

What’s a raging god?

Dictionaries describe him as a “violent god” or a deity not subject to the rule of the emperor. If myth is a projection of reality, it is a projection of history from the ruling side. However, there have always been people who resisted such things, and this can be said to be a symbol of that.

I often say that we demons are also people who do not obey the imperial court. Hey, Sakaki Oni, keep up the good work!

There’s a word ”Many kiss the hand they wish to cut off”.

Two-faced?

Yes. For people, the rules of their own land are more important than the rules of people in power. No matter what the powers that be say, if you offend the gods of the land, you can’t make a living. So it is only natural that they treat the local deity with the utmost care.

And they say we Oni are also the people who resisted and were discriminated against. We should be more proud of being Oni.

More on that later. From now ,the gods are coming to bless the people.

Negi, Okina, Miko (or Oturuhyala) 禰宜、翁、巫女(おつるひゃら)

What are they doing? They’ve got something in their hands.

The stick has a miso paste on it, and if you put it on your face, it will bring you good health for a year. How do you like it?

Oh,no!

It is indeed getting cold. You have some time before the yubayashi, and there is time for breakfast, so get some rest.

Breakfast starts at 6:00 a.m. Bread is main and soup, salad, etc.

And the time is around eight o’clock. It’s getting light around here. This is when the “yubayashi,” the biggest spectacle of the festival, begins.

Finally, the yubayashi begins. The scheduled departure time was 8:00 a.m., but we will move it back one hour.

It’s already past 8 o’clock. I’ve totally fallen asleep. But the dancers are amazing, even though they’ve been doing it all night. They are full of energy.

The festival started the other evening and has already lasted over 15 hours. Even after arriving on the tour, it has been more than 10 hours. Since the population is small, the same person appears in several dances, which puts a considerable burden on them. Even so, there is not the slightest sign that their energy is waning.

We slept and ate breakfast on the way, so we are fine, but why do these people have so much energy and stamina when they dance here almost all night long?

Is this the power of the festival? Still, I feel that the festival is becoming more and more exciting.

Now, it’s time!

The dance moves toward the center as if to send chi toward the already extinguished hot water pot.
To-hore, sanya, to-hore, sanya

Like a wave that comes and goes, excitement rises to a peak and then settles down again. This is repeated over and over again, and finally the time comes.

The dancers dip a bundle of straw in their hands with plenty of hot water from the cauldron and sprinkle it vigorously.

Wow, everywhere is soaking wet.

The fire has been out for a while, so the heat must have diminished considerably, right?

That’s not the point.

Asa-Oni 朝鬼~ ending

After the Yamami-oni and Sakaki-oni, the last Oni appears. That is the “Asa-oni”. The literal translation is “morning oni. The Asa-oni knocks off the symbol of the gods that is suspended from the “maido”. Next, a lion appears to purify the scene. After that, People return the deities they invited back to where they came from, and all festivities come to an end.
But it’s time for us to leave.

After this, we will stop at a hot spring on the way back to Toyohashi Station. You must be tired overnight. Please take a long soak in the hot spring and recover your energy!

I’m lucky as “Oni” to watch this festival.

Fifteen Hana Matsuri have survived throughout the region, and although the people in each community suffer from a shortage of labor, they held between November and March of the following year. In order to support the festival, buses run late at night from the nearest station to each area on the days when the festival is concentrated, and travel agencies offer tours such as the one introduced in this article. It is one of the festivals where you can feel the original landscape of the Japanese people.

I would like to conclude with a comment posted on Instagram by a young woman who lives in the area.
She commented, “Life in general is inconvenient here, too, but I think it’s okay to continue living here because of the Hanamatsuri.”

Official site of Aichi prefecture https://aichinow.pref.aichi.jp/en/events/detail/1637/

Official https://aichinow.pref.aichi.jp/features/detail/125/




Okuma-kabuto festival お熊甲祭り~ Sarutahiko about to pass

https://www.walkerplus.com/article/162071/image941310.html#mainimage

Date: September 20 every year
Location: Kumakabuto shrine 熊甲神社, Miyamae, Nakajima town, Nanao city, Ishikawa prefecture, Japan
Access: The nearest station is Noto-nakajima 能登中島 Station. It takes about 4.5 hours from Tokyo to there by Shinkansen and limited express. From Kanazawa, it takes about 1.5 hours by limited express and local train. A shuttle bus runs from Noto-nakajima Station on the day of the festival. There are also city buses.

There is a heroic festival in the Noto Peninsula in which many Sarutahiko appear. On this day alone, the cheers of the people and the excitement of the festival overtake the usually quiet town. On this day only, the people who go to this place take a day off from school and work to attend the festival. And they stubbornly observe the 20th. This festival is filled with the spirit of the people.

The festival is held by 19 shrines associated with Kumakabuto Shrine and their residents.
The festival consists of three main parts. First, people from each town come to the shrine with portable shrines and flags (the flags are the key to the festival). Next, when all the townspeople gather, move to Otabisho which is about 500 meters away from the shrine. Finally, the participants perform a performance using flags at the otabisho. During these processions, the leader of the procession is Sarutahiko, an incarnation of the masked god. As readers of other articles on this site may know, Sarutahiko has always been the leader of Japanese festivals. Especially there’s a lot of them at this festival. There are at least two or three Sarutahiko in a town, and there are 19 towns in all. One of the highlights of the festival is that these Sarutahiko parade through the streets and shrines, performing their unique dances to the rhythm of gongs and drums. Let’s take a closer look.

Sarutahiko’s dance 猿田彦
do.

Festival morning comes early. Around 7:00 a.m., people carrying portable shrines and flags from each town leave the town for the shrine. There are 19 towns in total, some of which face the sea. So people from these towns bring their portable shrines to nearby towns on boats. By about 8:00 all the town get together. For a distance of about 200 meters, the festival group, centering on the mikoshi, will line up in front of the shrine. Let me explain about the flag here. This flag is the most distinctive and symbolic feature of this festival. It is a long red flag, about 20 meters long, and is called “wakuhata 枠旗”. Unfortunately, due to a lack of volunteers to carry the flag, the length of the flag has been shortened to about 15 meters in many places these days.
Upon arrival, the first thing Sarutahiko does is tap on the steps of the main shrine. This is a greeting that he has arrived. Following this, people raise the flags in the precincts of the shrine with a loud shout. The ceremony lasts for about two and a half hours. This ceremony at once sends the audience into a whirlpool of excitement. When all towns arrive it will be approximately 10:30 am. From there, the arrival greeting ceremony begins. Led by Sarutahiko’s dance, portable shrines and tool bearers march in two lines to greet the gods. When all are assembled, the priest proceeds to the center and gives a festive greeting to the deity. Here all rituals in the precincts of the shrine come to an end. This is the first part.

do.

After a short rest, after noon, the trip will now begin to Kamohara 加茂原, called Otabisho 御旅所, about 700 meters away. The word ” Otabisho” means the place where the gods travel to.

The Sarutahiko dance is unique and not easy to learn, so it is important to pass it on to the younger generation.

Also characteristic of this festival is the rhythm of gongs and drums. The monotonous sound of the high gong is not often heard in other areas. Some people feel the influence of the Korean Peninsula can be felt. The first in line usually arrives at Kamohara around 2:00 p.m. By 3:00 p.m., only half of the line has arrived. The other half waits for the first half to finish. The order of departure is also decided by lot drawing before the festival each year. Where first is a major topic of discussion every year.

do.

do.

Guided by Sarutahiko, mikoshi and flags from each town depart one after another for Kamohara, the otabisho. The last group finally leaves the shrine around 2:00 PM when the first group arrives at Kamohara. The sight of red flags over 15 meters high lining the Kamohara and golden mikoshi (portable shrines) in the sun is spectacular. And here is the highlight of the festival: the flag parade.

Among them, the skill that people are most looking forward to is Shimada-kuzushi. It means to put it into disorder. It is a technique to knock down a long flag so as not to touch the ground. The origin of the name is as follows:. Once toppled, the flag touched the hair of a woman who came to see the festival and ruined her hairstyle. The name of the hairstyle is Shimada. It is said that the name ‘Shimada-kuzushi’ came from the fact. The festival continues until around 5:00 p.m., and the fervor continues unabated. Unfortunately, we can no longer use long flags like before. Because of the labor shortage in recent years. However, the spectacle and enthusiasm of the event is the same as in the past.

Ending

It takes only 2 hours to get there from Kanazawa (Kanazawa is 2.5 hours from Tokyo). In addition, Wakura 和倉 Onsen (hot spring) is just 15 minutes away. Wakura Onsen is also home to the most famous inn in Japan, Kagaya 加賀屋, which has been voted the best inn in Japan for many years in a row (though it is moderately priced).

In 2025, the Noto Peninsula was damaged by a major earthquake and also by heavy rain in the summer. It is still in the middle of reconstruction, but the people have been reviving the town with the indomitable spirit of never giving up, and the festival has continued. Why don’t you see the beauty of the Noto Peninsula, the strength of the people, and the valor of the festival with your own eyes?




Hida Furukawa 飛騨古川

Hida Furukawa is called a back room, as it were, to Hida Takayama 高山. As its name suggests, it is located about 15 kilometers from Takayama, a famous tourist destination, and a 15-minute train ride away. Originally developed as a castle town of a feudal lord named Kanamori, it later became a territory directly under the Tokugawa shogunate.

the Hida Furukawa station

One of the places you should stop by when you come to Furukawa is the Matsuri Kaikan 祭り会館 (Festival Hall).

Furukawa has a big festival on April 19 and 20. The main event is the main festival, in which various parts of the town pull magnificent, ornate yatai floats with karakuri (mechanical) dolls on them, but the event called ”Okoshi-taiko” (drumming to wake the town up) held the day before the main festival is particularly famous. In this, a huge drum is on a large raft-like platform, and two people take turns beating it. Then each town group carries a smaller drum and tries to get closer to the main drum. People consider an honor to get as close as possible to the main drum, and the groups thrashes each other violently. Thus the heavy bass of the taiko drums cruises through the town of Furukawa until midnight, signaling the start of the festival.

At the Matsuri Kaikan, visitors can not only see the actual floats and karakuri dolls, but also watch the festival on a powerful screen in the theater.

You can see the most highlight, Shirakabe Dozo 白壁土蔵 (white wall storehouse) Street, from the side of the temple in front of the festival hall.

There are 1,000 carp swimming in the Setogawa River and you can feed them, but you have to feed them from a feed box fixed to them. It is because the amount of feed given per day is fixed. In winter, dozens of people move carp to different locations to avoid the freezing cold, a unique challenge in mountainous areas.

There is a word “Hida no Takumi” (artisans of Hida) to describe Hida craftsmen. This is proof that people all over the country trusted Hida craftsmen. A part of it we can now see in each of the houses. It is called “Kumogata hijiki 雲形肘木 (a cloud-shaped ancon)”. We usually see this in temples and shrines, but here you can see it in private houses. This is a remnant of the excellent woodworking skills of the Hida carpenters, who were active in many parts of the country.

Kumogata hijiki 雲形肘木

Each carpenter changes the pattern on it. Therefore, you can tell which carpenter did the work by looking at the pattern. We can see the pride of the craftsmen in this work. It is also famous for its wood carvings.

Japanese style hotel (ex. Notoya)

There are simple ramen noodles with a nostalgic flavor, handmade soba noodles, and cafes in old private homes. There is also a famous sake brewery that won the Grand Prix. In recent years, the area has become well known as the setting for the animated film “Kimi no na wa” (“your name” directed by Shinkai Makoto 新海誠 ). However, since it is not as famous as Takayama, there are fewer tourists and you can enjoy a relaxing stroll.

To a town with a sense of nostalgia

cx.
https://hida.travel/
https://visitgifu.com/




Hida Takayama ~Proud home of artisans

There is a term “Hida no Takumi” (artisans of Hida). Hida 飛騨 is a mountainous area. There is little flat land suitable for agriculture, and people had no choice but to make a living from wood. From there, the people of Hida developed their woodworking skills. Eventually, the technique became known throughout the country, and Hida wood was used for various types of construction, and carpenters and other technicians went to various places in response to the demand.

The Hida region is part of present-day Gifu Prefecture. In the past, they were divided more finely than the current administrative division. Therefore, the southern part of Gifu Prefecture was called Mino and the northern part was called Hida. Mino has many plains, and commerce developed in close cooperation with the neighboring Owari region (western Aichi Prefecture). Even now, it takes nearly two hours from Takayama to Gifu by express train. Therefore, Hida developed itself. Takayama is the center of Hida, so the station is much bigger than the surrounding area.

The area around station is no different from the rest of the town. It takes about 10 minutes to reach the street, which is an important traditional building preservation district.

Eventually you will see the river and cross an impressive bridge, which marks the beginning of the old town.

This town seems to be famous even abroad and is always full of tourists. Sometimes groups of visitors occupy the road and take pictures. The streets are narrow because of the old townscape, so it is unavoidable that the streets fill up quickly.

However, after 5:30 in the evening, people suddenly disappear. Probably because the group guests have gone home. Most of the restaurants also close at 6:00 p.m. This means that if you are planning to eat or buy souvenirs, you need to get there early. (If you go to the street in front of the station, the big souvenir stores are open.)

By the time the lights are turned on, the town is once again quiet and regains its original appearance.

https://www.hida.jp/english/




Oni makes fun of Tengu at Toyohashi

https://tasuki-inc.com/events/toyohasi/onimatsuri2019/

There are many different kinds of Oni in Japan, each with a unique characterization. They often bestow good fortune on people even though they are Onis, and the distinction between Onis and deities is often unclear. This time, the Oni is a bad one. As expected, he challenges the warrior deity, the symbol of goodness, to a fight. His appearance looks as if he is making fun of the warrior deity, which is why people commonly call this ” Oni no Karakai” (Karakai means to make fun of). The demon, whose body is as round as a drum, provokes the warrior god. The warrior god remains calm and collected. As many as 60,000 people will gather here to watch this battle.



Date: February 10th-11th, every year
Location: 3-17 Hatcho-dori 八町通り, Toyohashi-shi, Aichi prefecture
Access: From Toyohashi Station on the JR or Meitetsu 名鉄 Line, board a streetcar at Toyohashi Ekimae 豊橋駅前 and disembark at the Shiyakusho-mae 市役所前 stop. Or get off at Toyohashi Koen-mae 豊橋公園前 stop. Approximately 3 minutes on foot.

The history of the festival

According to the writings, the shrine was founded around the 10th century.It is unclear whether or not events were held at that time. However, it can be assumed that there was something like a New Year’s Eve event to ward off demons. It is estimated that it took its present form around the 16th century. There are still some old Oni masks donated by the lords of the time. The shogun who opened the Edo shogunate told his vassals that he saw a demon festival in 1554. It is clear that by that time the festival had already taken on its present form.

Outline

Eve of the festival

The festival has a fixed date every year: February 10. The day before that is the evening festival.
The main character on the previous day is the Blue Demon, a new character in the festival that first appeared 60 years ago. His appearance is almost the same as the red demon.
First, a blue Oni comes to the shrine in the morning. Then, one of the biggest incidents in Japanese mythology, the “Opening of Ama-no-Iwato” is performed. One of the main characters in the opening of Ama-no-Iwato is “Tajikara-o”, the most powerful creature in the world of deities who pushes open the door. He plays this role. After that, the group of the blue Oni goes out to the town. After this, Kagura and Taiko performances are held at the shrine, as well as a rehearsal for the unmasked child Oni.
At night, the Tengu and the red Oni practice for the last time without their masks on. After this, all that is left is the day of the performance.

On the day

Finally, the day of the event. Kagura and various other events are held at the shrine from the morning. The main events of the day are the Tengu and the Red Oni. The first child Oni arrives at the shrine in the morning where the Kagura is held. The child Oni is about twelve or thirteen years old, but is the same as the adult Oni. The weight of their costumes is about half, but it is still about 10 kg. The child Oni throws a special candy called “Tankiri,” and then goes out into the town.
At the same time, the Tengu and the red Oni do their final purification and prepare to put on their costumes. The costumes weigh about 20 kilograms. If it rains, it will weigh twice as much. Once the costumes are put on, they cannot be taken off easily, so they have to keep them on for about 12 hours until the end of the festival. Therefore, when they drink water, they have to keep it on their mouths.

Highlights

2:00 p.m. When the drums sounded, the two parties finally appeared in the precincts. By this time people are filling the precincts of the temple. On the side, a black Oni is waiting in the wings to act as a judge. He never speaks. He is very unassuming, but important.
The red Oni provokes the tengu this way and that. The tengu, however, is unmoved. Then, the red Oni, annoyed with the situation, begins to perform a secret technique. The official explanation is that this secret art is a product of a generous age. First, he throws a tool in his hand, but next, he throws snot at them.

At this point, the red Oni finally runs out of strength and flees with his guards in tow. In doing so, he scatters candy called “tankiri candy. This is the highlight of the festival. Tankiri candy scattered with white powder. The whole area turns completely white and chaos ensues. As it is, the red Oni moves out of the precincts and into town. From here, the nine-kilometer-long, nine-hour-long procession begins, which lasts until nightfall.

Even after the red ogre has left the precincts of the shrine, each township performs a variety of kagura. These are valuable performing arts that have retained much of their original form from the Middle Ages. The tengu also goes out to wash away the town by a route different from that of the Oni, after performing a ritual to predict the harvest. This is the start of a long, long journey into the night.

A peek behind the scenes

How do we decide who will play the roles of oni and tengu, the two biggest protagonists of the festival? Basically, it’s whoever wants to play them. There are no particular rules. It can be any boy from the town. However, there is an unwritten rule that once you have played a role, you must be involved for seven years. That’s what they do before they play the tengu, two roles before they play the tengu, and four roles after they finish. That is how our predecessors have kept the festival alive for so long.

They also say that role-playing begins the day after the festival. Some people abstain from alcohol, others start running. There are no rules. It all depends on the individual. However, the costumes weigh more than 20 kg and cannot be easily taken off once put on. They are not allowed to go to the restroom on the day of the festival, so they are required to drink a minimum amount of water. By the end of the day, the weight of the costume will be nearly 30 kg due to sweat absorption.

From February 1, they are not allowed to eat food prepared by young women, nor are they allowed to talk to them. Every day, they bathe in water to purify themselves.
Only those who have experienced the role in the past are allowed to help the young women put on their costumes on the day of the festival. The rest of the townspeople have their own rules. This is how the festival has been and will continue to be handed down.

Touohashi official https://www.honokuni.or.jp/toyohashi/en/festival/000018.html




Japanese lion dance at Ruri-dera temple in Ina valley

People say that there are seven valleys in Ina 伊那. The transportation is not so convenient. It takes 20 minutes by train from Iida Station, the main station of the region, to Ichida Station, the nearest station of this festival. It takes about 30 minutes to walk from the station. There is only one train every hour or so. That is how deep the mountains are in the region, but that is why so many performing arts remain. The biggest feature of this area is the appearance of a huge lion called “Yatai Shishi 屋台獅子”. There are many “yatai” lion dances in the area, but the lion dance of Ruri-dera temple 瑠璃寺 is considered to be the origin of all of them. It is said to have a long history, dating back about 600 years. However, the current form started about 120 years ago.

What is “Yatai Shishi” ?

A yatai lion is a large cart made of wood and bamboo that people enter and operate. It is easy to imagine it as a giant bamboo basket. It has wheels on both sides to move it. It is about two meters high, two meters wide, and seven meters long. There are about 20 drums, flutes, and other musical instruments inside, and a curtain is placed over the top to resemble a lion’s body. Only the leader of the group controls the lion’s head.

The feature

One of the features of Ruri-dera temple is the large number of characters that appear in it. The main character guiding the lion is “Uteno 宇天王”. Then there are two ogres who protect the lion, and a monkey who is a messenger of the shrine. The event is held at a temple called Ruri-dera temple, which also houses a shrine called Hiyoshi 日吉 Shrine. The fusion of shrines and temples is characteristic to Japan. To begin with, the people of the time learned the lion dance from the Hiyoshi Shrine in Kyoto. There is also a recently revived character named “Ranryo Oh 蘭陵王”. He dances before the lion dance. “Ranryo-oh is one of the oldest Japanese musical forms called bugaku 舞楽, which combines music and dance from the continent with traditional Japanese music and dance. For this reason, the entire lion dance is very elegant, accompanied by the sounds of bugaku.

Procession

At around 12:30 pm, small monkeys played by children begin to patrol the area. Eventually, at one o’clock, the sutra reading ceremony begins. After that, the lion dance begins.
The monkeys organize the audience with their silly movements. Then two demons come out to intimidate those who are out of line. Then, in front of the guest hall, there is a large lion with its head on the ground, asleep. The main actor, “Uten-oh” appears and wakes up the lion. When the lion is woken up, it is in a bad mood and starts to yell, but Uten-oh soothes it. Then he slowly leads the lion outside. This is how the lion’s journey to the main shrine, 500 meters away, begins. It is late spring, and the cherry blossoms begin to fall in the plains at the beginning of April, but here in the highlands, the cherry blossoms finally come into full bloom around this time. Under the cherry blossoms in full bloom, the lion slowly moves forward with the guidance of Uten-oh, accompanied by elegant old music. The journey takes about 30 minutes.
When you arrive at the main shrine, you will be given a “shishibana” which was used as the tail of a lion. This is a piece of bamboo with flowers made of five different colors of Chiyogami paper. People take these home and offer them to their Buddhist altars or display them on their altars.

In October, there is an event where all the lion dancers in the area are gathered, but this lion dance is not included in the event. In the first place, it has rarely been seen outside. Therefore, this is a rare opportunity to see it. On Saturday nights, there is also an illuminated road on the way. If time permits, I recommend staying overnight and taking your time to enjoy it.