The Island Where Demons Dance~Oni-daiko (Ondeko)

https://sado-biyori.com/feature/classical/10323/

Date: Spring through fall (peaks in April and October)
Location: Sado 佐渡 Island City, Niigata Prefecture
Access: From various locations to Niigata 新潟 Station or Niigata Airport. From there, take a bus to Niigata Port, from where there are steamers to Sado Island. From Tokyo, it takes about 2.5 to 3 hours by Shinkansen to Niigata Port. There is also a way to get there from Naoetsu 直江津 via Naoetsu Port. From Niigata Port, you can go to Ryotsu 両津 Port, and from Naoetsu, you can go to Ogi 小木 Port, which are different arrival points.

There is an island where groups of drummers go from house to house. And they are demons, no less.
That name is Sado Island. Across from Tokyo lies Niigata Prefecture. From there, it’s another 30-minute to one-hour boat ride. It is the second-largest island in Japan, after Okinawa. There is a day on that island when demons visit every home. And the people look forward to it with anticipation. They say the demons are messengers of the gods. They are called oni, and the act of them beating drums is known as “Oni taiko (ogre drums).”People say this island is a treasure trove of performing arts. Among them, the most representative is this “Oni Taiko.” The locals also call it “ondeko. From spring to fall, the sound of taiko drums echoes throughout the island, and Oni dance in the air. There are more than 120 of them. It is true that the island is as large as the 23 wards of Tokyo, or about half the size of Osaka, but there are still many of them. Let’s take a look at what kind of Oni-daiko the islanders love so much.

Festival outline or “Kado-zuke 門付け”

Oni-daiko is an extremely simple art form consisting of a single drum, a drummer, and a dancer, the Oni. Oni Taiko festivals do not have a mikoshi (portable shrine) or pull a dashi around as in regular festivals. Instead, they do something called kadozuke 門付け. Kado means gate, and tsuke means to drop in, which means to visit each door. This is an old custom in which performers go from house to house to bless their families and in return receive a reward. In the past, many performers earned their money that way, but nowadays, the main purpose is to walk around blessing each house as God’s representative, rather than for remuneration. There is Ise Kagura centered in Mie Prefecture and a group of kagura performers who still travel over a wide area in Iwate Prefecture in the Tohoku region. Therefore, even if you go to the shrine on the day of the festival, there is nothing there. After the first and last dedication at the shrine, the group goes out to the community.

A day at Oni Taiko starts early in the morning. First, the group heads to a shrine. There they dedicate first formal dance. After that, they go to the village and perform the dance from door to door. Sometimes there are more than 100 houses in a village. When a group of taiko drummers arrives, people entertain them by preparing hospitality. If requested, a designated dancer other than oni may also dance. In addition, the masks may be displayed there for a time in the house where the original masks were made, or a special dance may be performed. After visiting all the houses, they return to the shrine to perform the dedication dance. It is not unusual for the dance to end around 10:00 p.m. This is why young people are always needed for the physical strength of the dancers.

Types of Oni-daiko

Kuninaka type
https://sado-geinou.com/history/shishimai Right also

Maehama type

There are several classifications of oni taiko according to the way it is performed. There are three major categories, and five more detailed categories are often used. In order to avoid complications, we will inquire about three types. Types include the Maehama type, Aikawa type, and Kuninaka type, named after the region.
The most commonly seen is the Kuninaka type , in which two Oni, A (open-mouthed, not “ei”) and Um (closed-mouthed), dance alternately. This type is about 60% of the total. It is a form that was adopted by masters who learned Noh in the past. Therefore, the basic movement is to use a slip. The dance is also characterized by the intensity of the “A” and the quietness of the “Um”. Sometimes Shishi ( lions) is involved, which makes the dance more dynamic.
Maehama type is two oni facing each other and dancing. Sometimes a dancer wearing a mask with only the upper half of his face, called Rouso, joins them. The roso is the highest-ranking dancer in the group.
And the Aikawa type is often seen in the northwestern part of the island. Here, oni appear but do not dance. They just stand there with a spear. Instead, a dancer wearing an old man’s mask dances with a square to hold beans.

Representative Oni-daiko

Niibo-funashimo(新穂舟下)

There are four shrines with the same name, Hiyoshi Shrine, in the Shinbo area, and oni taiko drums are dedicated to one of these shrines at a festival on April 13.
Kuninaka style with two oni dancing with their mouths open “a” and mouth closed “un”. When the drums are set up, they begin to beat the drums from the back side. One by one, oni dance to the rhythm of the taiko drum, with their steps based on the rhythm of the drum. The oni tries to beat the drum, but two lions appear as if to prevent them from doing so. The oni calm them down, brush them off, and move toward the taiko drum.

Ryotu-Iwakubi(両津岩首)

It is dedicated to the autumn festival of Kumano Shrine in the district located facing the mainland. The Maehama style features two oni, one red and one blue, dancing relative to each other at the same time. A lion also makes an appearance, but it is a large lion that can hold seven adults. In addition, there is an instructor named Roso, who wears a mask with only the upper half of his face. Roso sometimes dances, and sometimes looks down on the whole group to keep it together.

It goes around all the houses and comes back to the shrine again at the end, and the lion’s climb up the stairs that takes place at that time is worth seeing. Not only do they climb up, but the front tries to go up while the back tries to go back down. The lion’s hesitation is what makes the performance so powerful.

Roso

Aikawa Maturi(相川祭り)

The Aikawa style of Onidaiko, which began in the Aikawa district, is named Onidaiko, but despite the name, the Oni (demons) do nothing. Or, not even Oni. The main actor is an old man (a virtuous old man), holding a bean-throwing square in his hand, which can often be seen in Setsubun 節分 (a ceremony held in February to drive away evil spirits). For example, in the Aikawa district, the birthplace of the festival, two people holding long swords simply stand there. Only the ogo (master) dances to the rhythm of the taiko drums.

Kita-Kawachi Matsuri (北川内祭り)

In addition, there are composite style festivals. For example, in the Kitakawachi district, three lion dancers appear before a bean-throwing Okina. The three lion dances are no different in content from the lion dances that can usually be seen mainly in the Kanto area.

Add to that the mysterious mask of “Tsuburo”. Tsuburo appears between the lions. After that, the old man makes his appearance.

There are many other types of oni taiko with distinctive characteristics, such as the one-legged dancing style. It is no exaggeration to say that there are as many different oni taiko as there are districts and festivals. Sado is also a region that has handed down a variety of performing arts, not only oni taiko. Every year at the end of May, a festival is held to bring together all of Sado’s performing arts. Sado is an island where old Japan can be seen everywhere, and it is well worth a visit.

Sado Ondeko dotto komu : An event that brings together all the performing arts of Sado Island https://niigata-kankou.or.jp/event/2145
Sado long ride : A cycle event with several thousand participants on a 210 km up-and-down course that circles the island at its longest point.
https://sado-biyori.com/feature/sadolog/11502/




The king descends : Nou Hakusan Shrine’s Unique festival





Date:24 April every year.

Location:7238 Oaza Nou, Itoigawa-city, Niigata prefecture

Access: Shinkansen from Tokyo. If Hakutaka, change at Itoigawa and take the Hisui Line to Nou. About 2.5 hours. If you take Toki, change at Echigo-Yuzawa and take the Hokuhoku Line to Naoetsu, then the Hisui Line to Nou 能生. From there it is a 20-minute walk. From the Osaka area, take the limited express train to Tsuruga, then head toward Niigata. If flying, take a flight from any airport to Niigata Airport, then travel on to Nou.

based on 2025. 4. 24.

Spring in the snow country

The setting for this story, Nou Hakusan Shrine, is on the sea coast of Niigata Prefecture on the Sea of Japan side of the country. The Sea of Japan side has a lot of snow due to low pressure from the continent. The area north of Niigata is a particularly heavy snowfall area. A festival that they can’t wait for. This is the annual spring festival of Nou Hakusan Shrine. Hakusan Shrine is an old shrine with important cultural assets. Its construction dates back to the 3rd century. An annual spring festival is held at such a shrine. And who is the king?

Bugaku 舞楽

The main part of the festival is the dedication of a dance and music performance, which takes place in the afternoon. This is Bugaku. What is Bugaku? It is the music and dance that were introduced from the continent at least around the eighth generation. Official Bugaku still exists today, and the Imperial Family has its own band. Also, many of them spread to various places, and Shitenno-ji Temple in Osaka and Itsukushima-jinja Shrine in Hiroshima Prefecture are famous.
There were also changes when it spread to the countryside. Here at Nou Hakusan Shrine, they also made a distinctive one. The most important features are the composition and costumes. The costumes in particular are unique to this place.
It consists of two parts: a juvenile dance(called chigomai) and masked dance.

at Ruriji-temple in Nagano prefecture

Chigomai 稚児舞

There is an old saying in Japan that children are within God’s domain until they are seven years old. Perhaps because of this, many Shinto rituals emphasize the presence of children. Chigomai and Masked dance appear alternately at this shrine.
Dressed-up, godly-looking young children. The solemn dance goes on with a graceful tune that has been performed since ancient times.
The solemn dance goes on with a graceful tune that has been performed since ancient times.
Each performance lasts approximately 2-30 minutes.

Masked dance

After performing some chigo mai for about an hour, the first mask appears. The program titled “Dorari” does not exist in the central bugaku.
In fact, this is also performed by a child, so it may be a type of child dance, but here it is a masked dance.
The biggest feature is that they leave the stage with “sticking out his tongue” at the end. It is of course a uniqueness that you cannot see anywhere else, not even in central Gagaku.

The central legitimate bugaku also has a performance called ‘batou’. However, the dance style is quite different and the masks are similar but slightly different.

It was originally a dance showing two dragons playing together.
The dance is much faster than the original, and there are many jumping movements. We can see that the dance is more appealing to the audience.
And the costumes, too, are not extravagant but brilliantly designed. The red and black of the ‘nobatou’ and the red and pale green stripes on the white base of the ‘nasori’ are undeniably eye-catching.

As the day is about to begin to set in, King’s performance finally begins. As a herald, the oldest of the chigo goes on stage. People are starting to feel something different. An expectant but very quiet time.

After the children’s dance, it is time for the final star of the show, the Ryo King. So, yes, this is the most famous of all bugaku dances, the “Lanryou ou(king) 蘭陵王” dance. The dance has the following anecdotes. Once upon a time, there was a brave warlord in a country called Northern Qi in China. But people rumored that he was too well-formed and feminine. Thinking this would not improve the morale of the army, he put on a frightening mask and fought and won a great victory. This legendary figure was a real person in the mid-6th century.

As the legend goes, the mask is menacing images of people with dragon on their head and wide-open eyes.
When Ryoo appears, he slowly crosses the bridge, following the music of gagaku. About 10 minutes or more.

It was a solemn dance, but the enthusiasm of the audience grew as never before, and the occasional unbecoming shout goes up. The music is monotonous and sometimes sleepy. However, when it is repeated over and over again, it induces a kind of hallucinatory state in people.

Even after entering the stage, his movements were slow. Especially in the first half, they hardly move. Originally, this program has movement. Moreover, it is performed as a fast-moving piece. But here it is. The slower the movement, the better.

Soon, the king stood up and made an inviting motion with both hands. This is commonly known as the “sun beckoning dance”.
The sun is setting around the very same time. The time when the surroundings gradually darken and the king’s figure begins to blend into the darkness. At this time, the king is bathed in the setting sun and his golden face shines.
Unfortunately, it was cloudy when the author saw it, so it was not that bright, but the majesty of the scene was awe-inspiring.

By this time, the audience are all on their feet, gathered around the stage and watching attentively. The cheers become even louder. It’s not the kind of performance that makes a lot of noise. The most common cry is to “be patient”. Yes, the point is to make it last as long as possible. But, the performer has already been moving slowly for an hour. He has already exhausted. Still, he uses his last strength to slowly walk back up the bridge again. Night is already falling around. In the end, they leave the stage being held by the helpers.

It was already past 7:00 at night. As soon as the king leaves, the bridge is removed and several mikoshi (portable shrines) run through at once. Then the festival ends abruptly. Leaving the audience excited. The stage is then demolished and returns to its normal tatters.

Let’s go to Nou

On taking the Shinkansen from Tokyo, the Toki and Hakutakas were continuous. Toki is a little cheaper. But that was a mistake. The transfer was not smooth and I ended up waiting for an hour in Naoetsu 直江津. Lesson 1. If you go to an unfamiliar place, you should have as much time as possible. And choose the route with fewer transfers.
The temperature in Niigata Prefecture on that day was 15 degrees. Even though it is over 20 degrees in all areas west of Tokyo, it is still cold. So, on the way, I could see the cherry blossoms in full bloom behind the snowy landscape from the train window.

Also, this route has a lot of tunnels. Stations are located between tunnels, some of them in tunnels.

It was early afternoon when I finally arrived at Nou Station. Leaving the very small station behind, a 20 minute walk through the quiet seaside town brings us to Hakusan Shrine, the setting of the day.

Nou hakusan shrine 能生白山神社

People are gathered around the stage in the center. The right side of the entrance is stepped. In the front row, a couple dressed up in kimono. The shrine is said to have been built in the 3rd century; the main building, which was rebuilt in the early 16th century, is an important national cultural asset.
Why are these people sitting in the front row in formal dress? I found that out at the end of the festival. They were the parents of the children of “Chigomai”. They were probably proud and anxious at the same time to see their own children on the big day. After all the children’s dances were over, I could see them weeping involuntarily.
It was a moment when I could once again realized that this is what the festival is all about.