Date: 7th, January every year
Location: 1-2-7 Toranomon, Minato-ku, Tokyo
Access: From Toranomon station (subway, Ginza line) within 1 minutes walk,

What are the seven deities of Good Fortune?

All of the above are from Edo-period merchants’ advertising fliers.

　It seems that Japanese people are considered to be lax about religion. Sometimes, they say that Japanese are even described as irreligious. I have mentioned this before on this site. One of the reasons for this is that the Japanese are polytheists by nature. When Japan accepted Buddhism, people faced the conflict with their original religion (which I now call Shinto). Therefore, people came up with the theory of “Shinto-Buddhist syncretism. They said that God and Buddha are the same. This theory continued on and on until the Meiji Restoration (1861). The best example of this is the Seven Deities of Good Fortune. This belief introduces seven deities that signify happiness as one group and began in the late 15th and 16th centuries.
The seven deities are Ebisu, Daikoku, Hotei, Bishamonten, Benzaiten, Fukurokuju and Jurojin, seven in all.
The Seven Deities of Fortune in Japanese Mythology has the following characteristics :
Ebisu (恵比寿): the deity of success in business (The country of origin is Japan)
Daikoku (大黒): the deity of commerce, agriculture, and prosperity (The country of origin is India)
Hotei (布袋): the deity of happiness, contentment, and good fortune (The country of origin is China)
Bishamonten (毘沙門天): the deity of war and victory (The country of origin is India)
Benzaiten (弁財天): the deity of financial fortune, music, and art (The country of origin is India)
Fukurokuju (福禄寿): the deity of wisdom, luck, and longevity (The country of origin is China)
Juroujin (寿老人): the deity of longevity (The country of origin is China)
As you can see, they have different origins and different sources. There is only one deity of Japanese origin, Ebisu. Moreover, there are many complications such as assuming that Daikoku (大黒) and Okuninushi (大国主 Japanese deity) are the same because they are pronounced the same. (大国 can be pronounced “Daikoku”). There are both shrines and Buddhist temples where they are enshrined.
Of course, these are beliefs that have spread among the common people, so nobody has officially decided on them. Since the seventeenth century, they have taken on the currently known form and have been popular ever since. Today, each region has its own shrines and temples dedicated to the seven deities of good fortune, and a tour of the seven deities of good fortune during the New Year is a common sight.

Why is this shrine located at the center of Tokyo ?

The “Seven deities of Good Fortune Procession” that this site introduces is held at Toranomon Kotohira Shrine. The Kotohira Shrine is a famous shrine in Kagawa Prefecture that everyone knows. This is a branch shrine built by inviting a deity from there. It is located at Toranomon. It’s location is not too much to say right in the center of Tokyo. It is right next to Kasumigaseki, where the National Diet Building and other central government offices are located. Toranomon Hospital, which is just a minute’s walk away, is where the Prime Minister and other famous people are hospitalized. As a result, the area is surrounded by a forest of buildings. The reason why there is a shrine in such a place is that this area was once home to a series of feudal lords’ residences, and the feudal lords of what is now Kagawa Prefecture built the local Kotohira Shrine here, which has remained without change.

What else will take place besides the Seven Lucky Deities Parade?

※This article is based on the year 2015. However, the program will basically remain the same.
The parade of the Seven Gods of Good Fortune that we wanted to see started at 11:00. But there is no harm in going early. There are many other events besides the parade. One of them is the performance of Edo Sato kagura. It starts at 10:00. This fixed time is one of the characteristics of this place. This is something peculiar to business districts. The first performance was “Sanbaso” in 2015. This is also originally from Noh, and is often performed in Kabuki. When it is performed in Kagura, the performers often wear hats with bright red circles, costumes with crane designs, and long sleeves. Hagiwara troupe performs. This troupe is prestigious, so the dance is elegant. About 45 minutes.

1st Parade ~Are the Japanese really so devoid of religion?

The content can also be enjoyed on video→https://youtu.be/paxVq84l6r0

At eleven o’clock, the procession of the seven gods of good fortune that you are looking for begins. The procession takes place twice a day, and this is the first one. There are two entrances to the temple grounds. The procession comes from one of them where three stalls are standing.

First up was the lion dance. A New Year’s tradition. The head of the lion is also gold, an auspicious look. There is a legend that if you ask a lion to bite your head, you will be happy, so if you meet one, be sure to offer your head. Next, the seven deities of good fortune continued to appear.

Hotei was originally a Chinese monk who was modeled after several real people. The image is that they carry a large sack, bare their large bellies, and travel in poor attire. He wears light clothes even in winter, but legend says that strangely enough, it never snowed around him. Jurojin and Fukurokuju are very similar because they were originally one deity that split into two. However, while Jurojin has the appearance of a noble old man in China, he is also characterized by an unusually long head.

Ebisu and Daikoku have appeared many times on this site. Ebisu catches sea breams with his fishing rod, while Daikoku brings good fortune with the mallet he carries. Benzaiten is the only female deity. She is said to bestow arts and wealth.

Bishamonten is the god of war. Originally, he is one of the four guardian deities protecting the Buddha. However, his name changes to “Tamonten” at that time. Complicated? Don’t worry about it. Even Japanese people don’t know much about it. Behind them are the familiar entertainers, Hyottoko and Okame.

At this situation, it seems almost like a red carpet, although there are no screams of excitement. The staff announced, “We have a little more time for photos. The star line-up doesn’t change every year. After this, they all gather in front of the stage and performed the Hyottoko and Okame dances. About 40 minutes. If you miss it here, don’t worry. The Seven Lucky Gods will appear again later.

You can enjoy the afternoon

The content can also be enjoyed on video→https://youtu.be/q_8GYk038qA

At 1:30 in the afternoon, the event resumed again, starting with Kagura. This is the story of a sword smith. The emperor asks him to make a sword, and the master smith forges it every day. At the last moment, a god appears and breathes his soul into the sword.

Now the enthusiasm again

The parade starts again at 2:00 p.m. Even though it’s the second time, it’s just as exciting as the first. There are as many people as the first time.

The second time, the flow is almost the same. A photo session in front of the main shrine (actually, the seven deities of good fortune don’t go in front of the main shrine for the photo session, they go to worship.) Then they all line up in front of the stage. And the Hyottoko and Okame perform a fun dance.

What is different from the first time is that folk dances and the stage performances of slightly different tricks are performed. This site is not the place to go into details of these unusual arts, but they are worth seeing at least once. Please come and enjoy it.

You should see this performance

The content can also be enjoyed on video→https://youtu.be/egUg2D1wS0Q

Among the Seven deities of Good Fortune, the most popular duo is Ebisu and Daikoku. And they have a performance that every Japanese person knows. In the case of Ebisu, he uses his fishing line to catch a sea bream. The sea bream is a fish that symbolizes celebrations. While in the case of Daikoku, it is said that if he waves the mallet, good fortune will immediately appear. On the other hand, if Ebisu catches a sea bream, nothing will happen. Actually the sea bream is just a fake attached to the end of a hook. Nonetheless, when he catches a sea bream, people go into a frenzy. They fight to touch the snapper (even if it is fake).

And when Ebisu warms up the people enough, Daikoku comes out and literally brings good fortune out of his mallet. However, only cheap sweets are thrown. If you want to buy them, you can buy them at a nearby store. But people still fight to get their hands on these small blessings.

At the end

Until the 3rd, it is still in the festive New Year’s mood, and until the 7th, it is said to be within the period of celebrating New Year’s. As a way to mark the end of the year (although few people do this anymore), there is a custom of eating “nanakusa-gayu”(seven herb rice porridge) on the 7th. On New Year’s, TV personalities also wear kimonos. The number of people wearing kimonos increases in the town. It is also a time when the so-called “Japaneseness” of the country overflows. Not only the seven deities of good fortune, but also various other events are held. It might not be a bad idea to experience the Japanese New Year at least once.

　　Hollywood movies are simply interesting. These movies are made with huge production costs, using talent from all over the world to focus solely on entertaining people. They can’t be boring. However, human beings may think , “Well, they are interesting”, but there’s not much left to enjoy. I want to see something more social” and so on. Of course, Hollywood movies can be empty, but the general image is one of great entertainment. Deeper movies can be seen in the Cannes Film Festival and the Venice Film Festival, for example. The film which gets the grand prix at these festivals has an image of the complete opposite of Hollywood. There are many films that make you think after seeing them. Nevertheless, the strength of their message can be a burden. In the worst case, it can make you sleepy. Movie fans go back and forth between the two.

　In Japan, there is “Edo sato kagura” which is in the genre of Kagura, a traditional performing art. It is almost exclusively performed in Tokyo and the surrounding areas. But it is not popular and is hardly known. It does not hold the elements of entertainment like “Iwami kagura”, and it does not have a local following like “Hayachine kagura.” These are held in obscurity at the corner of a shrine in the Shrine Festival . When I went to see a Edo sato kagura one day in Yokohama, there were only a few people . This situation is not usual but it is almost always held in such conditions. Many people aren’t aware it is being performed. Sometimes even the staff of the shrine doesn’t know! Although it gets a lot of influence from Noh, most Japanese people don’t differentiate Edo sato kagura from Noh…. As I write this, I am becoming sad.

　Why isn’t “Edo sato kagura” popular? Is it really boring? Isn’t it worth seeing? I will try to verify this now. Now, I will give you a rudimentary knowledge about “Edo sato kagura”. After that, I will teach you how to enjoy it.

History

Edo is the old name of Tokyo. The region that “Edo sato kagura” is held is around Tokyo. Tokyo is located almost the center of the main island called “Honshu (本州)”. This region is called “Kanto (関東)”, which consists of seven prefectures, Gunma, Tochigi, Ibaraki, Chiba, Saitama, Kanagawa and Tokyo. The Kanto region’s kagura was originally introduced from the Izumo region (The Izumo region is the eastern area of Shimane prefecture). The Shinto priest at Sada shrine in the Izumo region learned “Noh” in Kyoto and he created the new art of kagura. This is the origin of “Izumo kagura”. After the Introduction to the Kanto area, two styles developed. One consisted of isolated programs and rituals, another was performed as a historical play like theater. The historical play was performed by a professional group called “Shachu 社中”. They perform Kagura in shrines after being invited. This is the origin of “Edo sato kagura” today.

Where can we watch “Edo sato kagura” ?

“Edo sato kagura” is performed by professional groups called “Shachu (社中)” today as well, so we can watch each festival at shrines. Japan’s festivals are held most often in spring and autumn, followed by summer, and least in winter. In spring, the Japanese hope for a good harvest as they enter the rice planting season, and in autumn, they give thanks for the harvest. The meaning of each festival is to pray for the prevention of plagues in summer and for the revival of the sun in winter. Generally speaking, spring and autumn festivals are held in many places in Japan, but in eastern Japan, Kagura tends to be performed in spring, while in western Japan, it tends to be performed more in autumn or later.

A few more details

There are four shachu as national intangible cultural assets in Edo-sato Kagura: Matsumoto (松本), Ishiyama (石山), Wakayama (若山), and Mamiya (間宮) . In addition, there are several other famous groups, such as Hagiwara (萩原) group. Each of them has its own territory. For example, the Hagiwara group is invited by shrines in the Shinjuku area, while the Mamiya group is invited for festivals at shrines in the Shinagawa area. They go out there and perform a kagura or simply enliven it with a musical performance.

Edo sato Kagura is performed approximately three times a day. Each performance lasts from about 30 minutes to no more than one hour. In some cases, a related storyline is followed in the performance, and in other cases, completely unrelated programs are performed. Sometimes the time is posted on the stage, and sometimes there is no indication of the program. And I think this is the biggest problem: after one program, there is a two-hour gap between performances. There are various reasons for this, such as the return of the portable shrine that left the shrine, but many times I have seen people who wanted to continue watching the show, but they got tired of waiting because it didn’t start for a long time. I wonder what can be done about it.

Another thing that may keep audiences away from Kagura is the fact that there are some unique rules and regulations that are not communicated to the audience. For example, if the performer sits down and hides his face with a fan, it is a sign that the performer is asleep. This is rather easy to do, so you might be able to see it for the first time. However, some techniques take a bit longer. For example, there is a scene in which the servant is ordered by his master to fetch a bottle of wine and other things, and for some reason the servant dances his way out, which is a kind of “Hakobi (it means carrying)” rule and has no deep meaning. It’s just a way of giving the supporting actors a chance to show off their skills or maybe it’s just a little break in a serious scene. However, the characters seem to go so far out of their way that it’s quite common for the audience to be confused.

Play of “Bohi joshi”

The content can also be enjoyed on video→https://youtu.be/SwjTADLdDVI　and https://youtu.be/fVu2-9KTDX8

So let’s take a look at one specific stage from here. The program is “Bohijoshi (菩比上使)”. To put it simply, it is a play about handing over the country in Japanese mythology. The lord of the Ashiwaramizuho-no-kuni receives a messenger from Amaterasu of the Amatsu-kuni (state), asking him to hand over the country to the lord. In conclusion, three messengers come, and in the end, the Lord is defeated by force and gives up　the country. (cf. Reference →Japan mythology and history) The first messenger is known as “Ameno-Bodhi”. The title “Bohi” is derived from the name of this messenger. In the mythology, Bohi became a retainer after being pardoned by the lord of the country, but in the Kagura, the story goes that the lord’s son, Takeminakata, tried to kill Bohi by getting him drunk. Originally, in mythology, Takeminakata appears when he confronts the third messenger. He would fight the third messenger as a warrior against handing over his country. It is clear that the story of Kagura is not entirely true to the mythology.

　This is a rather common performance, and I will try to compare the four Kagura groups. This time, I would like to compare four Kagura companies: the Wakayama troupe, the Saito troupe, the Hisaizu Shrine group, and the Hagiwara troupe. (Hagiwara troupe only refers to the second half.) Except for Hagiwara Shachu, the mask is basically the same. They are probably based on the same mold

Takeminakata

　The first thing that happens is that Takeminakata appears. They are all using Kyougen masks of the “Buaku” style.

Retainer (Modoki or Hyottoko)

　Next comes the servants, all of them are wearing masks with the comical role of ” Hyottoko” (modoki). However, only the Saito troupe has two people appear. The others just appear, but this is the only one which the two of them first have comic exchanges.

　　

Ameno-bohi

　Then comes the third character, Amenobohi, who also appears in the title. All of the troupes use a mask based on a Noh play called “Chujo”. However, only Hagiwara’s troupe uses a different type of mask.

　This mask was originally made for the role of a warlord who met a tragic end, and features a carving on the forehead that expresses melancholy. The use of this mask implies the tragic end of this person. In this way, Edo kagura often uses masks from Noh and Kyogen, which is one of the reasons why it is difficult to distinguish it from Noh.
*One way to distinguish between Noh and Kagura is that Noh uses a musical instrument called a tsuzumi (hand drum) and includes a song called “utai (chanting)” as well as dialogues. In Kagura, except for a few cases, there are no dialogues. Basically, everything is performed in mute pantomime.
　

Musical accompaniment

　These three (four) people alone will proceed with the performance. They do all their acting in mime. The musical accompaniment conveys all the emotions and the mood of the scene. Most of them consist of two drummers and a flute player. There is no particular stage set, so it is difficult to understand without knowledge of the original mythology. Recently, some groups have begun to include a separate commentary.

Confronting

　After the introduction of the characters, the story begins with a visit from “Amenobohi. The story begins with a visit from “Amenobohi”, and Takeminakata’s retainer, Modoki, welcomes him. Modoki opens the door and does some other things. There is one more thing that is customary in Edo Kagura, the clapping of hands to signal that someone is calling. This is a scene that is often seen. The Takeminakata is just standing there, but only the Wakayama troupe’s Takeminakata is holding up his fan as if in some kind of alarm. Their faces are more expressive than the others, so their movements are also more expressive.

　And then they meet. The scene of the first meeting is filled with the feeling of tension, with both men bend their heads back slightly. Eventually, Takeminakata offers to sit next to him, and they finally sit down. Amenobohi then makes an offer to give up the kingdom. In addition, the stance of Amenobohi (and consequently, the Amatsu-kuni) make audience to feel their arrogance. Of course, there is no way Takeminakata will accept this offer. He interrupts the meeting, and Amenobohi leaves once.

Stratagem

　The Takeminakata side ponders what to do about the proposal, which is not easy to accept. There is also a comical moment when Modoki as retainer falls asleep while thinking about it. If you look at it calmly, you may wonder why Takeminakata has continued to use such an unreliable-looking retainer, but he plays a very important role in the progress of the play. Originally, Kagura was performed as a form of entertainment for the common people. If it were only serious, it would not be appropriate for a festival. Takeminakata comes up with a ruse that is typical of him. He wanted to get him drunk and beat him to death with one fell swoop. The action here is easy to understand for both Takeminakata and Modoki.

This is where the “carrying” scene comes in. It is a scene in which the attendant simply brings in sake, but the dance is accompanied by musical accompaniment. It is a kind of entertainment scene and has no deep meaning.

Banquet

　And finally, the banquet begins. Amenobohi, who had been holding fast to the suggestion, accepts the cup, saying, “Just one cup.” As soon as he drank all of it, Modoki pours him another cup. Bohee’s face shows his embarrassment. “Don’t hesitate,” Takeminakata said.

　Even Bohi, who has a confused expression on his face, reveals his innate love of alcohol as the drinking continues. This is a great example of good acting and masks that make you feel the expressions on the face. At the end of the performance in the Saito group’s case, Bohi drinks out of a large bowl instead of a cup. In this kind of performance, you can feel the expression on the face even though it is a motionless mask. This is partly due to the quality of the masks and partly due to the skill of the performers. The key to enjoying Edo sato kagura is to be able to sense these small details.

Dance performance

　Finally, the drunken Bohi is in a good mood and begins to dance. Each group has a different performance of the drunkenness. In some troupes, Bohi stumbles when he stands up or when he starts to dance. In the other troupes he stumbles while he dances. Let’s enjoy another virtuoso performance here. Bohi then sat down and held a fan in front of his face. This is a rule for staging a kagura performance where the performer is said to have fallen asleep.

Takeminakata pulled out his sword to see whether he has been really asleep. Finally, he ordered his retainer to “go ahead and do it.” Bohi, as expected, sensed the presence and quickly took action. He is not just a drunkard.

Battle

The content can also be enjoyed on video→https://youtu.be/8WWPesEX0QY

　 Takeminakata makes up his mind to accept that he has no choice without fighting now that his opponent is awake. He is not going to hand over their country so easily. Bohi pulls out his sword, and Takeminakata says, “Well, then. you should defeat my retainer first”. At this point, except for Saito troupe, Bohi gets ready by tucking up the sleeves of his kimono with a sash. The retainer makes a brave attempt to fight, but gets cold feet from the first. He is easily defeated, but it is admirable that he still makes a few attempts. But he’s no match for Bohi. This is a comical scene to ease the tension and entertain the audience. The retainer runs back saying “I’m not a match for him”. At last, the battle between the two is about to begin. The battle is different in each troupe. One side kneels down to receive the other’s sword, and now the other side. In such a way, an extremely stylized battle unfolds. Noh does not have such scenes, but rather is closer to the Kabuki style. Kabuki also has a large influence on Kagura such as strike swaggering pose. Finally, Takeminakata defeats Bohi. This is the same performance in every troupe. When Bohi swings his sword down, Takeminakata, a moment later, knocks it down from above.

Ending

　

After losing, Bohi gracefully admits defeat. The performing style of this scene varies depending on the performing troupe. One performer looks up at the heavens, while the other looks down at their sleeves and laments. This comes from a fineness of masks and performer’s acting. It is not a showy performance, but it is a scene where you can enjoy the virtuosity of the performers. Quietly enjoying these small parts is the peculiar feature of Edo Sato Kagura.
　

　Sure, it’s not fancy. This is not like a spectacle of Iwami Kagura that uses fire and so on. Nor is it as groovy as Hayachine Kagura. But it’s not just a matter of spending a lot of money on a movie full of CG. There are many movies in which you can enjoy the virtuoso performance. If you have a chance, please take a look. A shrine festival makes you feel happy just by being there. It’s not too late to find out if Edo sato Kagura is boring or not after seeing it with your own eyes.

　It is impossible to talk about folk performing arts in Japan without discussing “Shishimai”. Although Shishi means lion, this is not a real lion. The original source is said to have come from India, so it is said that a real lion had been an object of worship there. However, as it spread throughout the West, China, Korea and Nepal, it became an imaginary spiritual animal. Some say that Chinese emperors had lions, so it’s possible that they knew about the real lion up to that point.

　　　　　　　　　　　　　　　　　　収蔵作品詳細／唐獅子図屏風 – 宮内庁 (kunaicho.go.jp)

Date: Sunday closest to July 25 (Most often the fourth Sunday of the month)

Place: Yagumo shrine, 2-902 Sawai, Okutama town, Tokyo

Access: A few minutes walk from Sawai Station on the JR Oume Line. It takes about one and a half hours to get to Sawai from either Tokyo or Shinjuku.

Shishimai (lion dance)’s history

　It is said to have been introduced to Japan around the 6th century, at the same time as Buddhism. In 752, when the Great Buddha was built at Todaiji (東大寺) Temple as a national project, the lion dance was performed. It is said that half of the population of the time was involved in the construction of the Great Buddha, and about 10,000 people gathered for the unveiling of the statue. It is said that this is how the lion dance spread across the country.

　However, there are various routes as to how it had been introduced to Japan, and thus a variety of lion dances have been born. It is said that there are now about 8,000 of them active.
Shishimai can be divided into two main groups: Ise-Daikagura (伊勢太神楽) style and Furyu (風流) style. The Ise-style dance is performed by two people, while the Furyu-style dance is performed by one person holding a small drum called Kakko. However, it is so diverse that there is naturally a mix of these as well. The Ise-Daikagura-style is distributed in western Japan, while the Furyu-style is mostly distributed in eastern Japan.

Introduction of the Lion dance of Sawai

　This time, this site is going to introduce Shishimai in Tokyo. The main style in Kanto region (including Tokyo) is three units of “one-man shishi dancers” comprising one group.
　Nevertheless, there is a variety of lion dances in Kanto, and even in Tokyo there is diversity. This time, I would like to take a look at one from the Okutama area first. The Okutama area may be the closest vacation spot for those living in Tokyo. It has ravines, waterfalls, mountains, and scenic beauty. It can be reached from the center of Tokyo in about an hour by train. An area that many people visit in summer to cool off. There are groups that practice canoeing on the river, and many groups enjoy hiking and camping. It is precisely because of such an area that the cohesion of the community is rather strong and there are many performing arts that have been passed down.

　As we pass Ome (青梅), we start to see mountains around us, and the atmosphere starts to change. As most of the passengers are backpackers, the Okutama (奥多摩) area is just around the corner. There are reasonable hiking trails, mountain climbing trails, and ravines around the area, and the passengers get off at their desired destinations. When you get off the train, you find yourself in a quiet village surrounded by summer mountains, where the bustle of the city has disappeared. In the middle of the village, there is a small shrine. It looks just like an ordinary house. You would feel as if you are visiting a neighbor’s farmhouse. It’s Sawai Yagumo (沢井八雲) Shrine. This is the stage for today’s lion dance. As you walk up the stairs, you find a sandy stage about 10 meters square, surrounded by the shrine in front and audience seats on either side. The lion dance starts at 8:30 in the morning. But in the morning, the main activity is walking around the village. They walk around street by street performing their dance. This is not just to present themselves in public, but to celebrate the prosperity of the village and drive away the evil spirits.

　After lunch, they return to the shrine around 1:30 to perform a variety of acts. There are three lions. Two males and one female. The male lions are the elder and the younger. And four Hanagasa join them. This is the basic style. There are many theories as to why this style was adopted, but here in Sawai, it is said to represent the sun, moon, and stars. In Sawai, it is said to represent the sun, moon, and stars, and the four flower hats represent the four heavenly kings who protect the Buddha in Buddhism. The three lions are called ”Oh (elder)” lion, “Waka” (young) lion, and “Me (female)” lion.

　Hira-gurui 平狂い

　The first performance is called “Hira-gurui”. In lion dance, a violent dance is often called “Kurui (mad dance)”. As the name suggests, this is also an intense dance. The age range of performers is wide, and this basic dance is usually performed by junior high to high school students. However, the ground below is soft sand. It’s like dancing on the beach, and we can imagine how exhausting it is.

　It’s the height of summer. It’s hot. There is an electric fan running in front of the building, but it doesn’t help much for cooling. So, if there’s a pause in the middle or at the end of the dance, there are people who fan the dancers.

　Kurenai-gakari 紅がかり

　The next step is “Kurenai (deep red) gakari”. The lion dance often has a performance with this name. The word “kakari” seems to be used in the sense of relating to or showing interest in the subject. As the name implies, three rogues with deep red cloths come out and play with the lion. The lion’s interest in the red reminded me of a Spanish bullfight.

　During the breaks, the famous local sake “Sawanoi” is served, and pickles are passed around. It was all very thoughtful. It doesn’t matter if you take it or not. In the plaza below the shrine, simple meals and beer are sold at a reasonable price, but if you want to eat well, it is best to bring your own food. There are no big stores or convenience stores nearby.

　Tachi-gurui 太刀狂い

　As the name suggests, a lion is entangled with a sword (Tachi means sword). Most of the swords are imitation, here they use imitation swords too. However, it was just barely enough to shave off 20%. They are almost serious about it. That’s why there is a sense of urgency in the air, as if a slight mistake could be made. It looks as if a lion and a man are engaged in a tense battle. As in any other performance, this one requires special training. The power of the lion dance can be seen in such a way.

　Sao-gakari 竿掛かり

　The lion dance sometimes has a representation of life. The same is true of this program. A pole (sao) is passed in the center. The lions are interested in the pole. But they are too scared to go over it. They try again and again, but each time they run back. They return with their hands behind their backs, as if they are expressing their fear with their whole body. And it is the female lion who is the first to cross the pole. The performance varies from each group of lion dance , but it is usually the female lion who is the first to cross the pole. And the elder lion is the one who hesitates until the end. It’s as if women are quicker to make decisions in life, and men who have too much stuff they don’t need are slower to adapt to change.

　Mejishi-gura 雌獅子蔵

　

　There is a performance in which a female lioness is hiding in every lion dance. I’m even wondering if that’s the reason why there are three lions two male lions and a female lioness. Simply put, it is a love triangle.

It starts out with the setting where the lions are on a journey. Eventually, the fog gets thicker and only the lionesses disappear. The two males panic and look around for her. They decide to split up and search for her. So far, there are no problems. After this, the young lion finds the female lioness first, but does not tell the elder lion. The elder lion is desperately searching for her. Eventually, he finds the two lions.
He says, “Oh, I didn’t know they were here…
Naturally, he was very angry. The young lion doesn’t even apologize, and a fierce battle ensues. This fight is one of the highlights of the story.
　

While they were fighting, the fog thickened again and the lioness disappeared. This is no time to fight. Once again, the two animals split up to look for her.
This time, the elder lion finds the lioness first. If you get hit, hit back. The same thing happens again.
　

　This fog thickening of fog is expressed by the densely packed Hanagasa hats on all sides. And finally the hanagasa return to their original positions, and the lions dance together as if nothing had happened.
I always wonder. Why did the old people create this kind of performance? Is it a warning or an irony? In any case, the person who created the original must have been quite a connoisseur.

Gokito 御祈祷

　The final performance is called “purification. At the end of the day, evil spirits are driven away, the place is cleansed, and the dance is concluded.

　

It ends at five in the evening. The Okutama area is a little cooler than the city center. The lion dance depicted on the back of stuff is dancing proudly. And so, one by one, summer comes to an end. You may look back at the road your came from, feeling as if the sound of lion dance drums and flutes are still echoing, but all you see is a quiet village that has regained its daily life. The fog in the mountains seemed to have lifted. The day is long. Let’s go home slowly.

Date:　　 2nd & 3rd May
Location: Ome city, Tokyo prefecture
Access: It takes over 1 hour from Shinjuku by JR Chuo line

The feature of Japan Festival

　Do you know how many festivals there are in Japan? In one theory, it is said there are three hundred thousands. In Japan, if you ask a Japanese what is your image of festival, most people would answer “Mikoshi” or “Dashi (or Yatai). An exemplary “Mikoshi” festival is “the Sanja festival” at Asakusa or “the Kanda Myojin festival” at Kanda in Tokyo, and an exemplary “Dashi” festival is “the Gion festival” in Kyoto or “the Nebuta festival” in Aomori prefecture.
　*What is “Mikoshi” and “Dashi”? Both a means of transportation for a deity. Dashi is no different from Mikoshi in terms of being a vehicle. Mikoshi is a portable shrine and people carry it on their shoulders. Dashi is a float decorated with various objects for a festival.

Departure

　We can often see masked characters on Dashi in festivals. So, this time, we will go and see the Ome festival in Tokyo with our guides. Oh, where have they gone? Hey, it’s your turn!

*Who are they? If you want to know about them, please confer the article https://discoverdeeperjapan.com/2020/04/26/part-2iidama-shrine-daidai-kagura/

Ome is a town full of retro culture

　Ome city is located in western Tokyo and is the major gateway of excursion into the Chichibu-Tama-Kai National park.

　Ome is usually a calm town. There are still quite a number of vintage houses and many vintage film billboards. But only during the two days of the festival, this town changes.

Welcome to Festival

Along the street

Mask collection

Worship at shrine

How long is the festival?

The festival is still going on…

*Reffer https://www.japanistry.com/event/ome-grand-festival/