Gojinjo Daiko

御陣乗太鼓

Date: 31st, July and 1st, August (Nafune festival)
Location: Nafune town, Wajima city, Ishikawa prefecture
Access: About 1 hour by airplane from Haneda (Tokyo) to Noto Satoyama airport
or It takes 1 hour by JR Nanao line from Kanazawa to Wakura Onsen, and 40 minutes by Noto line to Anamizu

石川県
Ishikawa prefecture

石川県能登
Noto peninsula

夜叉
Yasha (female monster)

爺面1
Jiji (aged man)

爺面2
Jiji

爺面3
Jiji

男幽霊
Otoko yurei (male ghost)
女幽霊
Onna yurei (female ghost)

男幽霊2
Otoko yurei

達磨
Daruma (priest)

All images from http://www.gojinjodaiko.jp/en_top.html

Gojinjo Daiko (drums) 御陣乗太鼓 is the most famous traditional folk performance group in Noto region. Eight drummers appear one after the other to beat a single drum. All of them wear bizarre masks and their hair is made of seaweed or horse hair. They play a rhythm based on beginning, middle portion, and denouement. They repeat it over and over again. Sometimes they make strange noises, sometimes they strike menacing poses.

As for why they started using such strange masks, here is the origin. Once upon a time, there was a powerful warlord named Uesugi Kenshin 上杉謙信 who ruled the wide area including Niigata and Ishikawa prefectures. When his army finally invaded this area, the farmers, who had no defense, came up with a plan. They wore masks made of wood and hair made of seaweed, and played drums to intimidate them. The fearful army turned back. Since then, the performance has been passed down from generation to generation by the men who protect the area.
Currently, they have formed a preservation society comprising about 20 members. All of them are from the town of Nafune. Only those born and raised in the area are allowed to carry on the Gojinjo-daiko tradition. Regardless of the restrictions, the rhythms of the taiko are complex and difficult to master unless one has grown up listening to them from childhood.

Since they are a popular group, they are invited to various events. However, one of the most prestigious and nerve-wracking events for them is a performance at the local Nafune Grand Festival.
This is a small village with only about 200 residents. More than 10,000 people gather for the festival. Even those who have left the village come back only for the festival.

名舟大祭
Kiriko lines in festival
image from the site above

キリコの図
a image of Kiriko

At the Nafune Grand Festival, many people come to see the Gojinjo-daiko. On the first day of the festival, from around 9:00 p.m., a large number of people carrying kirikos pass through the shrine and head for the sea. Then the drums are performed. After that, people continue to enjoy late into the night. The next day, the festival starts in the afternoon.

名舟大祭の太鼓
https://www.ent-mabui.jp/program/3332

Even if you can’t see it on this day, there are still many opportunities to see the Gojinjo-daiko. The easiest way is to go to the Wajima Kiriko Museum, where the Kirikos are displayed, and performances are held every day at a certain time. There are also other opportunities to see the performance at some hotels.

Summer in Noto is the summer of the Kiriko Festival. And Kanazawa, a popular tourist destination, is nearby. And of course, there are hot springs.




Sagimai~ Everything is worth a photo chance

http://tsmoyo.jp/sagimai

Date: 20th and 27th of July every year
Location: Yasaka shrine and Tsuwano town, Tsuwano town, Katari district, Shimane prefecture
Access: By air, you can go from Hagi/Iwami 萩・石見空港 Airport to Tsuwano via JR Shin-Yamaguchi 新山口. By Shinkansen: JR Shin-Yamaguchi. Or, if you want to use Sunrise Izumo 出雲, take the night train from Tokyo to Izumo via Osaka. From there, you can take the JR conventional line to Tsuwano via Masuda 益田.

Area

A small town in Shimane Prefecture had handed over from generation to generation one of the most beautiful performing arts in Japan. The place is Tsuwano 津和野. Together with Hagi 萩 to the west, it is a castle town that is popular among female tourists. Shimane Prefecture, to which Tsuwano belongs, is largely referred to as the Chugoku region. It belongs to the northern part of the region. The Shinkansen runs through the southern part (which includes Hiroshima Prefecture), but not the northern part. Therefore, transportation is not very convenient, and it is one of the least populated areas in Japan. It is about one-tenth the size of the neighboring domain centered in Hagi (the former domain’s area of control). The remains of samurai residences line the town and people call it the Little Kyoto of the region.

History

In 1542, the lord of the time learned the dance from the neighboring prefecture of present-day Yamaguchi. However, it was originally from Kyoto. It was once discontinued, but in 1643, the lord sent his vassal directly to Kyoto to learn it again. Although the practice has died out in Kyoto and Yamaguchi, it has continued here to this day. People in other areas perform the so-called “Sagimai” (the heron dance) , but this is the only one where it has been passed down correctly and is considered to be the oldest.

Features

Two people perform the role of the heron. Both wear white clothes and scarlet hakama (an old Japanese costume, similar to pants). On their heads are imitations of herons, and on their backs are feathers. The dance looks very graceful, but the feathers they wear are made of 39 layers of Japanese cypress and weigh about 15 kilograms. We can see that the old people devised a way to make the wings look most beautiful when they are open. In addition, there are two “stick-wielders,” drums, flutes, and singers. Each of them wears a traditional formal dress and accompanies the group.

On the way

First of all, the Little Sagimai Dance, performed by an elementary school girl, precedes it. After that, the group departs, led by Sarutahiko wearing a nose-high mask. Then, from the Yasaka Shrine, the group dances for two hours at 11 locations in the town. Seven days later, the dance is performed at nine locations, following the reverse course.




Report: Hakone is more than just hot springs – the lion dance of Miyagino

Date: 15 July every year (Date fixed)

Location: Suwa shrine, Hakone town Miyagino 719, Ashigara county, Kanagawa prefecture

Access: from Odawara (JR) or Hakone Yumoto (Odakyu line or Hakone Tozan line) take Bus (bound for Tougendai 桃源台), at Miyagino Eigyosho 宮城野営業所

Introduction

 In the past few years, the number of overseas tourists visiting Japan has really increased. In the past, the number of visitors to Japan was so small that it is almost impossible to say that Japan was not interested in the tourism industry; the number of visitors finally reached 5 million in 2003, but it took about 11 years to reach 10 million. Recently, however, the government has made a serious effort to increase the number of visitors to Japan, and the number of visitors has reached w14 million in just three years.

箱根
Hakone (from Ashino lake to Mt.Fuji)

神社の位置
Miyagino Suwa shrine

 In Japan, there is a tourist route known as the Golden Route that connects Tokyo, Hakone, Mt. Fuji, Nagoya, Kyoto and Osaka.
One of them, Hakone, is known as a hot spring resort in Japan, and is also a destination for school trips in elementary and junior high schools from neighboring areas. It is also one of the most important stations on the Tokaido 東海道 Highway, connecting Tokyo and Kyoto. The Tokugawa Shogunate, which was based in Edo (present-day Tokyo), designated Hakone as the final defense point to stop enemies attacking from the west, and it was also famous for the rigid checkpoint. However, even in such Hakone, lion dances are quietly preserved: at Sengokuhara (仙石原) in March, at Kintoki (金時) Shrine in May, and at Miyagino (宮城野) in July.

湯立て(天祖神社)
“Yutate” Shinto ritual

湯立て(子安神社)
“Yutate” Shinto ritual

 These shishimai (lion dance) are called “Yutate” lion dances and are very rare events in Japan. “Yutate” is a ceremony, in which a large cauldron is set up in the festival site to boil water, a shimenawa rope to create a boundary surrounded around the cauldron, the surrounding area is decorated to welcome the gods, and the purified water offered to the gods. At the end of the ritual, one of the Shinto priests dips a sacred staff with strips of paper and bamboo leaves attached in the hot water and sprinkles it around.

Going to the shrine

小田原城
Odawara castle

登山バス

 This time, I took a bus from Odawara. Odawara was not only the gateway to Hakone, but also a stronghold of the feudal lords who once ruled the Kanto region, and you can see the castle from the station (although it is a restored one). However, most surprisingly, almost all the passengers were tourists from overseas. There were only a couple of Japanese passengers, and all the passengers on the bus spoke English and French. We Japanese felt small. The bus enters the mountain road halfway up the winding road. When you get off the bus, there are banners announcing the Shishimai everywhere, so it’s easy to find your way. After passing through a residential area, you walk up a gentle slope for about ten minutes. When you see a bridge with a red railing, the shrine is just around the corner. There are two paths, called Otoko-zaka (the slope for men) and Onna-zaka (the slope for women) respectively. The slope for men is steeper and the slope for women is gentler, but either way, the climb is inevitable.

バス停付近
around the bus stop

神社への道のり
way to shrine

神社入り口

橋

神社への階段
the long steps to the shrine

 From there, the shrine is at the top of the last long flight of stairs. It is the height of hot summer. Summer in Japan is hot and humid. The sun is shining and the heat will make you feel exhausted. However, when I reached the shrine, one of the staff of the ceremony said, “Thank you for your hard work,” and handed me a sports drink. This was a nice present.

Ceremony

The time was 2 p.m. The event had just begun. It begins inside the shrine. There are spectator seats on both sides facing the main shrine. The left side is covered with chairs, and the right side is covered with blue sheets. All other areas are separated by ropes, making it a sacred area. In front of the left side of the room, kindergarteners are accompanied by their teachers. In front of the main shrine, the lion’s head and the names of today’s performers are displayed. In fact, the biggest difference between this one in Miyagino and the other one in Sengokuhara is that the main performers are junior high school students. And all the adults play supporting roles.

神社本殿

全体図

Before the ceremony

The lion dance begins at 2:00 p.m., but it actually starts on January 7. On this day, the first rehearsal is said to begin. And the real practice starts a week before. In the evening of the day before, everyone gathers at the shrine and goes to the waterfall to bathe in water to purify themselves. This is repeated 12 times, and then at midnight a dance called “Tsuji-jime” is performed at several places in the village. This is a spell to ward off evil spirits. At dawn, when the dance is over, they go to the twelve designated shrines to pay their respects. Only after all of this is done, the lion dance comes back to the shrine.

降りてくる関係者たち

獅子が境内に

Down into precinct

 After dedicating the dance inside the main shrine for about half an hour, the lion finally descended towards the shrine grounds. The lion wears a large curtain and has four legs, one in the front and one in the back. This is the basic form. In some cases, the performer in front holds the head with his or her hands, in another case, the performer wears it on his or her head.

のし歩く獅子

お囃子連

ステップを踏む獅子たち

獅子

 In the lion dance, every movement is strictly regulated. For example, the number of steps to be taken is fixed, and those who stand in front and those who stand behind must walk in unison through the shrine grounds. 

独り立ちとなって歩く

独り立ち、祠巡り

 Eventually, those behind step out of the curtain and roll the curtain to ease the burden in front. The performer in the back is slightly older than the one in the front. It is as if the older person is watching over the younger one. In this way, the lion stands alone and tours the small shrine (which is made of stone) within the shrine.

獅子
Shishi (lion) walks holding “Gohei”

獅子

 At first they go to a small shrine to receive the “Gohei” (a wooden ritual wand with pair of white zigzag paper streamers) and repeat the same movements as before. After that, the lion takes a bell and a sword. The number of steps at this time seems to be all fixed, and the boy behind the lion counts “one, two, three” as they walks.

祠より戻る獅子

階段を降りる獅子

剣を持つ獅子

 The imbalance between the stern lion’s head and slender limbs. The boys’ expressions are still young, but they are all serious. For them, this is a once-in-a-lifetime moment. The people involved, and the audience, watch over them tenderly. The ceremony takes a short break.

獅子舞

塩をまく

Ceremony Part 2

 Three o’clock in the afternoon. After a short pause, the lions stand in pairs again, this time going around the large cauldron. The people concerned in the ceremony sprinkled salt. The climax was approaching. Here’s something to add, salt is not just a seasoning. Salt means to ward off evil, people often use it in various rituals. For example, when people come back from a funeral, it is customary for those of the house to sprinkle salt on those who return before they enter the house. There is also a belief that if salt is sprinkled in front of the house, it will become a purified barrier, preventing evil to enter. In sumo, one of Japan’s most popular sports, it is common to see sumo wrestlers sprinkling large amounts of salt. Since sumo originally originated as a Shinto ritual, this custom still remains.

獅子は湯釜へ

いよいよ独り立ち

 After a series of walks around the cauldron, the lion stands finally all alone. The performers in the back are completely out from the lion and the curtain is rolled up. The complete lion man, with his head ia lion, but his body human, stands here.

剣を採る

湯釜を回る

剣を湯釜へ

御幣を湯釜へ

Offering “Yubana”

 The lion, now alone, goes through the final series of rituals. By this time, the fire in the cauldron is blazing hot more and more and the water is bubbling and boiling. At first the lion man takes a sword. The sword is used to purify the water in the cauldron. The next is the “Gohei”. He puts it into the boiling water and stirs it. The surrounding people chant and watch. The lion performer feels the heat and frantically performs, grasping the lion’s head with his own mouth

神社へ湯花を献じる

熊笹を湯釜へ

 Finally, he takes the bamboo leaves and goes to the shrine first. And finally, at last, he sprinkles boiling water (yubana 湯花) around as much as he can. The hot water (yubana) falls like a cloud mist over the heads of the audience, and the air around them is filled with steam. Strangely enough, nobody feels the heat when they catch the hot water. It is said that if people are covered by it, they will have good health for a year.

湯花を散らす

Final

 After this, the lion once again turns into a four-legged creature and performs a trick, and the whole process in precinct is over. At this point, many of the audience begin to prepare to leave. But the ritual still continues inside the main shrine. They perform the lion dance again.
 

 It is all over at 4:00 PM. The heat is still on.
“Phew! I’m finally done!”
These were the words that came out of the boys’ mouths. That’s what they must have honestly felt after the long, long ceremony that started in January. They had been forced to live a life of inconvenience due to their devotional purification, and had endured rigorous training. They must have felt a lot of tension. However, after completing the ceremony, they have grown stronger and stronger, and will pass it on to the next generation, just as their predecessors have been protecting them for hundreds of years.

 

 Don’t worry, there are plenty of buses to take you home. Just to Hakone-yumoto. This is the gateway to Hakone, so the town is full of souvenir shops. From there, we take the regular JR line home.
However, if you can, I recommend the Romance Car express train between Shinjuku and Hakone, although it is a bit more expensive. The first carriage has a special structure where the driver’s seat is on top of the train in order to realize the all-glass windows. It’s a great way to experience the feeling of traveling. It is also a favorite of children. I was no exception, but I have yet to ride on one for various reasons. These days, I feel that I should have at least one longing left. I ignore the voices that say, “You don’t really have money, do you?”

Information: https://www.hakone.or.jp/5725