Japanese lion dance that can be seen in Tokyo~Tokumaru

Tokyo, the capital of Japan, consists of two parts: the wards and the rest of the cities and villages. There are 23 wards in total, and people usually think of these wards while they think of Tokyo. Among them, the area facing the bay is the most popular place and land prices are high. Tokyo Station, Asakusa, Shinjuku, and Ginza are all located in this area.
Tokyo (then called Edo) has always been a place where people moved around a lot, and it was said that if one have lived in Edo for three generations, he or she was a native Edo resident. Nowadays, this is still the situation, and it is said that half of the people in Tokyo are of local origin with a slight irony .
The “Tokumaru 徳丸 no Shishimai” (lion dance of Tokumaru), which is the subject of this article, is a valuable lion dance that still remains in the district. This is because it takes more than three generations to carry on the lion dance.


Date: 5th May, every year
Location: 北野 shrine Tokumaru 徳丸 6-34-3, Itabashi 板橋 ward, Tokyo
Access: ① Get off at Narimasu Station on the Tobu Tojo Line, take the Kokusai Kogyo Bus bound for Akabane Station West Exit from the ‘Narimasu Station North Exit’ stop (approx. 10 mins), get off at ‘Koubai Elementary School’, then walk for approx. 5 mins
② Approx. 15 mins’ walk from Tobu Nerima Station on the Tobu Tojo Line
③ Approx. 15 mins’ walk from Takashimadaira Station on the Toei Mita Line

It takes about 10-20 minutes from Ikebukuro, the center of this area, to Nerima.

This article is based on a 2017 visit.

Let’s go !

Even in the 23 wards of Tokyo, the buses are not frequent here, because the area is located on the periphery of the city. This is especially true during the daytime. For example, there were times when you had to take the 2:00 p.m. bus even though the event would start at 2:00 p.m. That said, there’s no rush; it doesn’t start immediately at 2:00. The rituals will be performed first.

Few buses, but the sun is nice. The beginning of May is one of the best weather periods of the year. Spring is over and summer is beginning, so temperatures are starting to get a little warmer, but not too much, and it is very comfortable. This time of year is commonly known as “Golden Week” in Japan. This is because it is a period of consecutive vacations, and unusually long vacations in Japan (though they last from a week to 10 days at the most) are possible.

Koinobori and Children’s Day

In the lion dance grounds, Koinobori, carp streamers held high flutter in the wind.
This is a digression from the main topic, but let me briefly explain about carp streamers. You may skip it if you like.
In fact, May 5 is Children’s Day or Boys’ Day, a national holiday to wish for the growth of children. The carp is a symbol of growth, based on a Chinese legend. The carp is never hung alone, but usually several of them. They express the father, the mother, and the children. In the city, there is no place to hang a large carp streamer, and many people put up small ones on windows, but in the countryside, there are still many magnificent ones. Parents also decorate their houses with dolls that resemble warriors. If you go to department stores, you will find many such dolls on sale during this season. Inside the house, parents display a heroic doll representing a warlord.
By the way, there is also a holiday for girls, which is March 3.
At this time, too, parents decorate their homes with dolls, sometimes as many as a dozen or more in a row for girls, in contrast to only one doll for boys, which costs a lot of money.

Outline of Shishimai

The lion dance is performed by a group of three lions, which is common in eastern Japan. One person is in charge of one lion, and the drum is attached to the front of the lion’s belly and struck by the lion himself.
The three lions are an adult lion (called Oh-jishi), a young lion (Naka-jishi), and a female lion (Me-jishi), respectively. The difference can be judged by the shape of the horns. In addition, there are Hanagasa (headgear with flower decorations), several flutes, and others.

Around 2:30 p.m., the lion dance finally begins. There are a total of seven performances that have been handed down. The first dance is performed in front of the house of the chief priest next to the shrine. In the past, the dance used to go around the town, but the current trend has simplified it.
There are three main dances. They are ” Sasagakari,” “Hana-Meguri,” and “Makugakari. Kakeri” means to be involved with something, and “sasagakari” means to be involved with bamboo grass. Hanagasa stands in each of the four directions. This serves as a kind of boundary.
In this case, the bamboos represent all the diseases and calamities of the world, and Shishi swallowing them is expected to have the effect of dispelling the calamities. Shishi (lions) keep their posture low and exert themselves to drive away all the calamities.

Hana-meguri ~Garden of strife

“Hana-Meguri” is a performance called “Female Lion Hiding,” which is a common part of lion dances in eastern Japan. In this performance, the three lions are initially friendly, but as soon as the female lioness disappears, a mood of disquiet envelops them. Here in Tokumaru, it’ s no exception. The three animals are in a state of friendly head-to-head contact. Eventually, only the female lioness disappears into the flower garden (hanagasa, or flower hats, are gathered together to form a flower garden).
What’s happening?” Two lionesses ask each other, “What happened? The two males split up and go looking for it. Then young male finds the female first, and although he could have just reported right then and there that she was there, he doesn’t. He tries to monopolize the female.
The older male lion comes later. Naturally, he’s not amused. A fierce battle ensues. This is repeated mutually. By the way, why did people in the past create such performances, and why did they continue to do so endlessly?

Maku-gakari ~beyond this world

The last performance is called “Maku-gakari”. As far as I can see, this is the most important performance in this lion dance.
First, a curtain is placed in the center. In front of this curtain is a world filled with suffering. This is the world we are in now, or in Buddhist terms, this is the present world and the other side is the Pure Land. And they are interested in the world beyond. They timidly approach the curtain to see what appears to be going on.

The first to break through the wall is the lioness. Yes, the female always overcomes constraints with ease. At the time this was created, the restrictions on women were even stricter than today. Despite this, they may have seen that this is essentially what people are like. They seem to be sending a message that transcends time. “In fact, it is women who are the most free and courageous.”
It is the young male who will be the next to overcome. Youth gives us more power than anything else.
The oldest male lion is the last one left. The lions who went before them call out. “There is a wonderful world out there,” they say. “Come quickly.”
He is sure they know this. But he can’t cross over, can’t venture out. That’s what it means to grow older. The things one carries become heavier and heavier. So he must be thinking, “If I go on an adventure, I might ruin everything.”

This “Ohjishi” is performed by the most seasoned veteran. The performers must have a certain amount of experience in order to express their anguish and conflict. So, when they overcome the difficulties, they are moved deeply.
”I can still do it. It is still too early to grow old. Only by continuing to boldly take on challenges will life shine brightly.” It seems that this Ohjishi are conveying to us the voice of those who lived long ago.

When this is over, it will be after 4:00 pm. It’s the end of all the performances. The early summer sun was already beginning to set.

The Official Website of Itabashi Ward https://itabashi-kanko.jp/event/detail?id=427




What’s “Suneka”?~Cold winter, those guys will come again.~Suneka

Introduction

On a cold winter’s day. It is said that a mysterious monster appears along the coast of the Tohoku region—but only on that particular day, and only that night. Rumour has it that the monster enters people’s homes and attacks children. What’s more, the government is said to acknowledge the monster’s existence. Apparently, its name is Suneka. What on earth is it? I set out immediately to investigate.



Date: 15th January every year
Location: Yoshihama, Sanriku town, Ofunato city, Iwate prefecture
Access: Shin-Hanamaki 新花巻 by Shinkansen from Tokyo. From there transfer to the Kamaishi Line for Kamaishi 釜石. From there, transfer to the Sanriku Railway for Yoshihama 吉浜. Or take the Ofunato line from Ichinoseki 一関 to Kesennuma 気仙沼 and transfer to Mori 盛. From there, take the Sanriku Railway to Yoshihama. It takes about 3 hours from Tokyo to Shin-Hanamaki and Ichinoseki. From there, it is about 2 hours to the nearest Sanriku Railway station. Another 30 minutes to Yoshihama.
Flights to Hanamaki Airport are available, and shuttle buses run from the airport to Hanamaki Airport Station, Morioka Station, and Kitakami Station. The ride takes about 10 to 20 minutes to each destination.

Sneka is one of the visiting deities (Raiho-Shin) featured in the folklore of Iwate Prefecture. What exactly are visiting deities? A group of “Raiho-shin (visiting deity)” folk rituals were added at 2018 to UNESCO Intangible Cultural Heritage list. Raiho-shin are masked and disguised deities who visit the human village from the other world at certain times of the year. Namahage* in Akita prefecture is one of the good examples of Raiho-shin.
A total of 10 events were registered. Suneka is one of them. It appears in Iwate Prefecture, the neighbor of Namahage’s Akita Prefecture. It is an oddly shaped entity that is no less than a Namahage. Let’s take a closer look.

cf. https://discoverdeeperjapan.com/2020/02/07/namahage/
https://discoverdeeperjapan.com/2020/02/07/namahage-sedo-matsuri/

this article based on 2026 visit

As the Suneka is an event rather than a festival, it is rather difficult to find out the details unless you know someone in the local area. However, I happened to come across something called the ‘Suneka Tour’. Apparently, it’s a new initiative that started this year. Preserving traditional events is becoming a pressing issue in many regions. Whilst securing people to carry on the traditions is the top priority, raising awareness is also a key factor.

in the Yoshihama station

Suneka is supposed to appear on a cold night on the 15th of January every year. They wear a straw raincoat and have abalone shells hanging from their waists. The sound of the shells is an indicator of their arrival. They also wear a small sword (deliberately dipped in bloodstain) and, for some reason, only one pair of children’s shoes. And on their backs they carry heavy-looking bales. And most distinctive of all are their masks. The masks are not animals themselves, but rather strangely deformed, adding to the eeriness of the scene.

The strange name Suneka comes from the word tagle for sunekawa. Sunekawa means the skin of the shin, and Taguru means to peel. It is the same as the name of the Namahage, which means to peel off the skin of the tibia. The difference is that on the Oga Peninsula, where the Namahage live, the shin skin is called Namomi, and here in the Yoshihama area of Iwate Prefecture, it is called Sunekawa.

lecture from specialist

Before the Sneca event began, there was also a lecture given by an expert.

In the evening, Suneka gather and at 5:00 p.m. a departure ceremony is held at the station. About 25 members in total. They went from house to house in some groups. It takes about two hours to visit about 300 households.

https://ofunato.jp/Summary/info/81

On that day, several families had gathered in front of the hall to experience their first taste of Suneka. Though they’d prefer not to have visitors come to their home, these families want their children to get to know Suneca.

In each house, a feast awaits them with their children. Then the sound of the shells of Sneeka and his friends begins to be heard, and even the sound of their sniffing comes closer. At this point, the children are already scared. They are almost afraid to even mention the name. When SUNEKA arrives, they scratches their nails in the yard and shakes the door. Then they come up to the house. Are there any crying children? Are they being good? Are you being a good boy? The children desperately appeal, “I’ll be a good boy. Then, when the time is right, a family member tells them, “Then we will give you some rice cakes and ask you to go home. It takes about 10 minutes, but for the children it seems like an eternity. Here is what makes Suneka unique. They never show their backs. So when they leave, they walk backward and head for the entrance.
In some areas, there are even child Suneka. Originally, this was done by a youth group, but due to a lack of manpower, the children began to take on this responsibility. They go around to kindergartens and nursery schools. Still, Suneka remains a formidable presence for the children in each place. We hear that older children sometimes stand up to him and say decisively, “No crying children, please go home.

In this way, children in this area grow up strong. According to the locals, this effect is valid for about three months.

Although the exact figures are unknown, its history dates back about 200 years., and although it was once interrupted by war, it was revived in the 1960s, and a preservation society was formed and continues to this day.

The Suneka members drove off to various locations. After they left, the chairman of the Preservation Society gave a detailed explanation to the remaining Suneka members.

If you look closely at the straw bale on the back, you can see that a child’s shoe has been attached to it. This is meant to suggest that a captured child kicked through the bale from the inside while struggling. It’s quite a detailed touch.
However, he mentioned that it’s been difficult to source straw lately.

The chairman says that the masks are basically carved from wood. However, he adds that there are no set rules regarding what the faces should look like. The only rule, he says, is that they must be mysterious.
Fifteen people took part in the tour that day. The organizers said they were surprised to find that more than half of the participants were from outside the prefecture.
I spoke with a few of them myself, and they were quite a formidable bunch. People who travel exclusively to remote islands, people who went all the way to Bali just to see the Barong dance (a masked dance), and so on.

Visitors might find themselves thinking, “Huh?” They might notice that, despite being a central town in the area, there aren’t many houses, and it feels somewhat desolate. The town does have a hotel and a small shopping mall.
But if you look closely, your eyes are drawn to a sign. It reads: “Once upon a time, a town of this size existed here.” Yes, this is one of the places that suffered the worst tsunami damage in the 2011 earthquake . The people have rebuilt the town to this point. And the tradition of “Suneka” has been passed down through the generations. Suneka has also served as a symbol of reconstruction.